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<title>a shimmering ornament of silt | SPHERE Festival - Sound installation | Sep 22 - 25, 2022 | Rossy Pavilion | National Arts Centre </title>
<meta name="description" content="When to visit:
The installation is accessible at all times during NAC opening hours.
Musical activation with live performers daily:
Thursday, 6pm
Friday, 1pm & 7pm
Saturday, 12:30pm & 7pm
Sunday, 1pm
Installation and performance work created by rebecca bruton (scores for periodic live performances) and Halla Steinunn Stefánsdóttir (electronics and visuals).
Two musical creators, each with a history of working in experimental music, sound, and ecological interdisciplinarity, attune to one another’s practices. Together they think through soil, sediment, fossilization, more-than-historic timescales, and what the silt carries when it greets us in...">
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<meta property="og:title" content="a shimmering ornament of silt | SPHERE Festival - Sound installation | Sep 22 - 25, 2022 | Rossy Pavilion">
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<meta property="og:description" content="When to visit:
The installation is accessible at all times during NAC opening hours.
Musical activation with live performers daily:
Thursday, 6pm
Friday, 1pm & 7pm
Saturday, 12:30pm & 7pm
Sunday, 1pm
Installation and performance work created by rebecca bruton (scores for periodic live performances) and Halla Steinunn Stefánsdóttir (electronics and visuals).
Two musical creators, each with a history of working in experimental music, sound, and ecological interdisciplinarity, attune to one another’s practices. Together they think through soil, sediment, fossilization, more-than-historic timescales, and what the silt carries when it greets us in... ">
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<meta name="twitter:title" content="a shimmering ornament of silt | SPHERE Festival - Sound installation | Sep 22 - 25, 2022 | Rossy Pavilion">
<meta name="twitter:description" content="When to visit:
The installation is accessible at all times during NAC opening hours.
Musical activation with live performers daily:
Thursday, 6pm
Friday, 1pm & 7pm
Saturday, 12:30pm & 7pm
Sunday, 1pm
Installation and performance work created by rebecca bruton (scores for periodic live performances) and Halla Steinunn Stefánsdóttir (electronics and visuals).
Two musical creators, each with a history of working in experimental music, sound, and ecological interdisciplinarity, attune to one another’s practices. Together they think through soil, sediment, fossilization, more-than-historic timescales, and what the silt carries when it greets us in... ">
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<h1 class="">a shimmering ornament of silt</h1>
<p class="event_subtitle">SPHERE Festival - Sound installation</p>
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<span class="hide start">2022-09-22 18:00</span>
<span class="hide end">2022-09-25 22:00</span>
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<span class="hide title">🎟 NAC: a shimmering ornament of silt</span>
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<p>https://nac-cna.ca/en/event/31360</p>
<p class="production_type">In-person event</p>
<p>When to visit:<br />
The installation is accessible at all times during NAC opening hours.
Musical activation with live performers daily:
Thursday, 6pm
Friday, 1pm & 7pm
Saturday, 12:30pm & 7pm
Sunday, 1pm
Installation and performance work created by rebecca bruton (scores for periodic live performances) and Halla Steinunn Stefánsdóttir (electronics and visuals).
Two musical creators, each with a history of working in experimental...</p>
<p><a href="https://nac-cna.ca/en/event/31360">Read more</a> </p>
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<span class="hide location">Rossy Pavilion,1 Elgin Street,Ottawa,Canada</span>
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<h3>Featured artists</h3>
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<!-- START : BIO CIRCLE ITEM rebecca-bruton-->
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rebecca bruton
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rebecca bruton
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<p>rebecca bruton (CAN) is a composer, songmaker, and vocalist living just north of Moh’kinsstis; the place where the Bow and Elbow Rivers converge; the place where the world began (Siksiká). She creates work that moves in the narrow space between sorrow and celebration; her interests include the pace of trekking through the Rocky Mountains, land/blood memory, the choreographic, multi-species kinship, and the malleable nature of time itself. </p>
<p>rebecca creates across several musical mediums, including experimental chamber music, song, film scores, and free improvisation. Her chamber compositions are widely performed, having been commissioned by Ekmeles vocal ensemble (NYC), Quatuor Bozzini (Montréal), Quasar Quatuor de saxophones (Montréal), Arraymusic (Toronto), Ultraviolet Ensemble (Edmonton), and more. In 2023 she will premiere The Faerie Ribbon, a new work for expanded string quintet performed by Quatuor Bozzini and junctQín keyboard collective (Toronto). The Faerie Ribbon will be released as one side of a collaborative LP of music for expanded string quintet, a multi-year project she devised and co-led with Toronto-based composer Jason Doell. </p>
<p>rebecca is an avid collaborator, especially across disciplines. In the fall of 2021 rebecca performed in the premiere of ‘We needed to be rescued’, a collaborative movement and music work she co-created with choreographer and dancer Heather Ware (produced by Dancers Studio West). She also tends to a long-term collaborative friendship with multidisciplinary artist Angela Rawlings, having set Angela’s 2017 book si tu to microtonal music for four voices (I n s t i t u, 2021), and collaborated with Angela in the polyvocal duo Moss Moss Not Moss. </p>
<p>rebecca lives closely intertwined with her more-than-human furfaced besties Hamish, Ramsay, and Mucho. </p>
</div>
<div class="bio_desc_fr">
<p>Rebecca Bruton est une compositrice, chansonnière et interprète canadienne vivant juste au nord de Moh’kinsstis; l’endroit où se rejoignent les rivières Bow et Elbow; l’endroit où est né le monde (Siksiká). Elle crée des œuvres qui occupent l’espace restreint entre la peine et la célébration; elle s’intéresse au rythme de trekking dans les montagnes Rocheuses, à la mémoire du sang et de la terre, la chorégraphie, la solidarité interespèces et la nature malléable du temps lui-même. </p>
<p>Rebecca utilise plusieurs vecteurs pour ses créations : musique de chambre, mélodies, partitions de film et improvisations. Ses compositions pour musique de chambre sont souvent interprétées; elles ont été commandées par l’ensemble vocal Ekmeles (New York), le Quatuor Bozzini (Montréal), le Quatuor de saxophones Quasar (Montréal), Arraymusic (Toronto), l’ensemble Ultraviolet (Edmonton) et bien d’autres. En 2023, Rebecca présentera pour la toute première fois The Faerie Ribbon, une nouvelle œuvre pour quintette à cordes étendu jouée par le Quatuor Bozzini et le Collectif pour claviers junctQín (Toronto). The Faerie Ribbon sera lancée sous forme de disque collaboratif de longue durée à une face pour quintette à cordes étendu, un projet étalé sur de nombreuses années que Rebecca a élaboré et mené avec le compositeur torontois Jason Doell. </p>
<p>Elle est également une collaboratrice prolifique, surtout dans d’autres disciplines. En automne 2021, Rebecca a figuré dans la première de We needed to be rescued, une œuvre musicale collaborative qu’elle a conçue aux côtés de la danseuse et chorégraphe Heather Ware (une production de Dancers Studio West). Elle entretient également une collaboration et une amitié de longue date avec l’artiste multidisciplinaire Angela Rawlings, dont elle a adapté le livre si tu (2017) en musique microtonale pour quatre voix (I n s t i t u, 2021) et avec qui elle a collaboré pour le duo en polyphonie Moss Moss Not Moss. </p>
<p>Rebecca est très proche de ses meilleurs amis poilus plus-humains-que-nature Hamish, Ramsay et Mucho. </p>
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<!-- START : BIO CIRCLE ITEM halla-steinunn-stefansdottir-->
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Halla Steinunn Stefánsdóttir
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<p>Performer, composer, curator Halla Steinunn Stefánsdóttir is one of Iceland’s leading figures within the early and contemporary music scene. She has been the artistic director of Nordic Affect since its inception in 2005. Halla Steinunn’s work has been a tour de force when it comes to work with composers, performers, visual artists, and producers. She is driven by an ecosystemic outlook on creation, set to further explore its world-making possibilities through music‘s many mediated relationships. </p>
<p>Halla Steinunn‘s compositional output has spanned everything from electro-acoustic compositions to sound and media installations. 2018 saw the release of her work He(a)r on Nordic Affect’s album by the same title. The album was featured in various best-of- the-year lists, including The Boston Globe, I Care if You Listen and Second Inversion. Recent works have included Spherical White with Diamond, a site-respondent installation created for Curated Place and NATUR (UK) in collaboration with National Trust Formby (UK) and Fjärilarna steg upp (The butterflies ascended) an installation of 8 mono channels created for The Botanical Garden in Lund (SE). Among upcoming projects, alongside the NAC Orchestra’s commission is the release of the strengur album project on Carrier Records. </p>
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<div class="bio_desc_fr">
<p>L’artiste, compositrice et éditrice Halla Steinunn Stefánsdóttir est une des figures de proue de la scène musicale classique et contemporaine en Islande. Elle est metteuse en scène artistique pour Nordic Affect depuis les débuts du groupe en 2005. Halla Steinunn est capable d’un véritable tour de force lorsqu’il s’agit de collaborer avec des compositrices, compositeurs, productrices, producteurs, artistes de la scène et artistes en art visuel. Portée par une vision écosystémique de la création, elle tend à en explorer les effets potentiels sur le monde à travers les nombreuses relations entre la musique et ses intermédiaires. </p>
<p>Les compositions d’Halla Steinunn vont de l’électroacoustique aux installations sonores et médiatiques. En 2018, elle diffuse son œuvre He(a)r sur l’album de Nordic Affect du même nom. L’album figure d’ailleurs dans différents palmarès cette année-là, y compris celui du Boston Globe, de I Care if You Listen et de Second Inversion. Parmi ses œuvres récentes, on peut citer Spherical White with Diamond, une installation sonore qui s’adapte au décor créée pour Curated Place et NATUR (Royaume-Uni), en collaboration avec National Trust Formby (Royaume-Uni), et Fjärilarna steg upp (L’ascension des papillons), une installation comportant huit sons monophoniques créés pour le Jardin botanique de Lund (Suède). Ses projets à venir, en plus des commandes de l’Orchestre du CNA, comprennent la sortie de son album strengur chez Carrier Records. </p>
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<p><strong>When to visit:</strong><br />
The installation is accessible at all times during NAC opening hours.</p>
<p><strong>Musical activation with live performers daily: </strong></p>
<ul>
<li>Thursday, 6pm</li>
<li>Friday, 1pm & 7pm</li>
<li>Saturday, 12:30pm & 7pm</li>
<li>Sunday, 1pm</li>
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<p>Installation and performance work created by <strong>rebecca bruton</strong> (scores for periodic live performances) and <strong>Halla Steinunn Stefánsdóttir</strong> (electronics and visuals).</p>
<p>Two musical creators, each with a history of working in experimental music, sound, and ecological interdisciplinarity, attune to one another’s practices. Together they think through soil, sediment, fossilization, more-than-historic timescales, and what the silt carries when it greets us in the present. The result is an amassment, a fossiliferous shimmering of sounds, objects, poetic fragments, and music. </p>
<p>The electronic installation by Halla Steinunn Stefánsdóttir will continue throughout the duration of the SPHERE festival in the Rossy Pavilion. </p>
<p>Additionally, there will be six live performances of rebecca bruton’s scores.</p>
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5 à 7 : Meet the Artists of the SPHERE Festival
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Sep 23, 2022 - 5 PM EDT
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<h3>SPHERE: Listening to the Earth with NACO</h3>
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<span class="post_copy---date">August 29, 2022</span>
Music creates important and empathetic bonds with human beings, connecting through the auditory senses. The eco-world also communicates through the senses, creating an interdependence with people globally.
From September 22-25, SPHERE, co-curated by NACO Music Director Alexander Shelley and interdisciplinary artist Dr. Angela Rawlings, will thread the climate throughout the story of the National Arts Centre Orchestra – the Orchestra as an eco-system, and the Orchestra’s sustainability, both as an art form and in terms of the shape of the sound
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<h2>Artists</h2>
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<!-- START : BIO CIRCLE ITEM rebecca-bruton-->
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rebecca bruton
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rebecca bruton
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<p>rebecca bruton (CAN) is a composer, songmaker, and vocalist living just north of Moh’kinsstis; the place where the Bow and Elbow Rivers converge; the place where the world began (Siksiká). She creates work that moves in the narrow space between sorrow and celebration; her interests include the pace of trekking through the Rocky Mountains, land/blood memory, the choreographic, multi-species kinship, and the malleable nature of time itself. </p>
<p>rebecca creates across several musical mediums, including experimental chamber music, song, film scores, and free improvisation. Her chamber compositions are widely performed, having been commissioned by Ekmeles vocal ensemble (NYC), Quatuor Bozzini (Montréal), Quasar Quatuor de saxophones (Montréal), Arraymusic (Toronto), Ultraviolet Ensemble (Edmonton), and more. In 2023 she will premiere The Faerie Ribbon, a new work for expanded string quintet performed by Quatuor Bozzini and junctQín keyboard collective (Toronto). The Faerie Ribbon will be released as one side of a collaborative LP of music for expanded string quintet, a multi-year project she devised and co-led with Toronto-based composer Jason Doell. </p>
<p>rebecca is an avid collaborator, especially across disciplines. In the fall of 2021 rebecca performed in the premiere of ‘We needed to be rescued’, a collaborative movement and music work she co-created with choreographer and dancer Heather Ware (produced by Dancers Studio West). She also tends to a long-term collaborative friendship with multidisciplinary artist Angela Rawlings, having set Angela’s 2017 book si tu to microtonal music for four voices (I n s t i t u, 2021), and collaborated with Angela in the polyvocal duo Moss Moss Not Moss. </p>
<p>rebecca lives closely intertwined with her more-than-human furfaced besties Hamish, Ramsay, and Mucho. </p>
</div>
<div class="bio_desc_fr">
<p>Rebecca Bruton est une compositrice, chansonnière et interprète canadienne vivant juste au nord de Moh’kinsstis; l’endroit où se rejoignent les rivières Bow et Elbow; l’endroit où est né le monde (Siksiká). Elle crée des œuvres qui occupent l’espace restreint entre la peine et la célébration; elle s’intéresse au rythme de trekking dans les montagnes Rocheuses, à la mémoire du sang et de la terre, la chorégraphie, la solidarité interespèces et la nature malléable du temps lui-même. </p>
<p>Rebecca utilise plusieurs vecteurs pour ses créations : musique de chambre, mélodies, partitions de film et improvisations. Ses compositions pour musique de chambre sont souvent interprétées; elles ont été commandées par l’ensemble vocal Ekmeles (New York), le Quatuor Bozzini (Montréal), le Quatuor de saxophones Quasar (Montréal), Arraymusic (Toronto), l’ensemble Ultraviolet (Edmonton) et bien d’autres. En 2023, Rebecca présentera pour la toute première fois The Faerie Ribbon, une nouvelle œuvre pour quintette à cordes étendu jouée par le Quatuor Bozzini et le Collectif pour claviers junctQín (Toronto). The Faerie Ribbon sera lancée sous forme de disque collaboratif de longue durée à une face pour quintette à cordes étendu, un projet étalé sur de nombreuses années que Rebecca a élaboré et mené avec le compositeur torontois Jason Doell. </p>
<p>Elle est également une collaboratrice prolifique, surtout dans d’autres disciplines. En automne 2021, Rebecca a figuré dans la première de We needed to be rescued, une œuvre musicale collaborative qu’elle a conçue aux côtés de la danseuse et chorégraphe Heather Ware (une production de Dancers Studio West). Elle entretient également une collaboration et une amitié de longue date avec l’artiste multidisciplinaire Angela Rawlings, dont elle a adapté le livre si tu (2017) en musique microtonale pour quatre voix (I n s t i t u, 2021) et avec qui elle a collaboré pour le duo en polyphonie Moss Moss Not Moss. </p>
<p>Rebecca est très proche de ses meilleurs amis poilus plus-humains-que-nature Hamish, Ramsay et Mucho. </p>
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<!-- START : BIO CIRCLE ITEM halla-steinunn-stefansdottir-->
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<p>Performer, composer, curator Halla Steinunn Stefánsdóttir is one of Iceland’s leading figures within the early and contemporary music scene. She has been the artistic director of Nordic Affect since its inception in 2005. Halla Steinunn’s work has been a tour de force when it comes to work with composers, performers, visual artists, and producers. She is driven by an ecosystemic outlook on creation, set to further explore its world-making possibilities through music‘s many mediated relationships. </p>
<p>Halla Steinunn‘s compositional output has spanned everything from electro-acoustic compositions to sound and media installations. 2018 saw the release of her work He(a)r on Nordic Affect’s album by the same title. The album was featured in various best-of- the-year lists, including The Boston Globe, I Care if You Listen and Second Inversion. Recent works have included Spherical White with Diamond, a site-respondent installation created for Curated Place and NATUR (UK) in collaboration with National Trust Formby (UK) and Fjärilarna steg upp (The butterflies ascended) an installation of 8 mono channels created for The Botanical Garden in Lund (SE). Among upcoming projects, alongside the NAC Orchestra’s commission is the release of the strengur album project on Carrier Records. </p>
</div>
<div class="bio_desc_fr">
<p>L’artiste, compositrice et éditrice Halla Steinunn Stefánsdóttir est une des figures de proue de la scène musicale classique et contemporaine en Islande. Elle est metteuse en scène artistique pour Nordic Affect depuis les débuts du groupe en 2005. Halla Steinunn est capable d’un véritable tour de force lorsqu’il s’agit de collaborer avec des compositrices, compositeurs, productrices, producteurs, artistes de la scène et artistes en art visuel. Portée par une vision écosystémique de la création, elle tend à en explorer les effets potentiels sur le monde à travers les nombreuses relations entre la musique et ses intermédiaires. </p>
<p>Les compositions d’Halla Steinunn vont de l’électroacoustique aux installations sonores et médiatiques. En 2018, elle diffuse son œuvre He(a)r sur l’album de Nordic Affect du même nom. L’album figure d’ailleurs dans différents palmarès cette année-là, y compris celui du Boston Globe, de I Care if You Listen et de Second Inversion. Parmi ses œuvres récentes, on peut citer Spherical White with Diamond, une installation sonore qui s’adapte au décor créée pour Curated Place et NATUR (Royaume-Uni), en collaboration avec National Trust Formby (Royaume-Uni), et Fjärilarna steg upp (L’ascension des papillons), une installation comportant huit sons monophoniques créés pour le Jardin botanique de Lund (Suède). Ses projets à venir, en plus des commandes de l’Orchestre du CNA, comprennent la sortie de son album strengur chez Carrier Records. </p>
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<!-- START : BIO CIRCLE ITEM jasmine-tsui-->
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Jasmine Tsui
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Jasmine Tsui
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<p>Jasmine Tsui is a Chinese-Canadian interdisciplinary artist, specializing in percussion performance and contemporary improvisation. Their artistic output usually involves bright colours, noise, theatrics, electronic processing, and occasional silliness. As a percussionist, their versatility has allowed them to partake in ensembles across North America, ranging from the National Youth Orchestra of Canada to the Yarn/Wire Summer Institute. During her time at the University of Toronto, she has studied with Dr. Aiyun Huang, Beverley Johnston, and Charles Settle. Jasmine has recently finished her Masters degree in Percussion Performance from the University of Toronto and is in the process of figuring out what sort of visual eyesores and auditory experiences they can create next.</p>
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<p>Artiste interdisciplinaire d’origine sino-canadienne, Jasmine Tsui a pour spécialités les percussions et l’improvisation musicale contemporaine. Son œuvre combine couleurs vives, sons électroniques, bruit, théâtralité et un brin de légèreté. C’est grâce à sa polyvalence en tant que percussionniste qu’iel a pu jouer au sein de nombreux orchestres en Amérique du Nord, dont l’Orchestre national des jeunes du Canada ou encore le Yarn/Wire Summer Institute. Ses études à l’Université de Toronto lui ont entre autres permis d’apprendre auprès d’Aiyun Huang, Beverley Johnston et Charles Settle. Fraîchement titulaire d’une maîtrise en percussion de l’Université de Toronto, elle concocte déjà ses prochaines cacophonies visuelles et expériences sonores.</p>
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<!-- START : BIO CIRCLE ITEM cleo-palacio-quintin-->
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<img src="/assets/img/icons/avatar_empty.png" title="Cléo Palacio-Quintin - no photo">
</figure>
<span class="bio_details">
<span class="jobtitle" >bass flute</span>
<span class="name">
Cléo Palacio-Quintin
</span>
</span>
</div>
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<!-- START: BIO MODAL START -->
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<span class="jobtitle">bass flute</span>
<h2 class="name">
Cléo Palacio-Quintin
</h2>
</hgroup><!-- bio-modal--details -->
<!-- BIO SOCIAL -->
<!-- BIO CONTENT -->
<div class="bio-description--contain">
<div class="bio-description">
<div class="bio_desc_en">
<p>Constantly seeking new means of expression and eager to create, the flutist-improviser-</p>
<p>composer Cléo Palacio-Quintin (1971) takes part in many premieres as well as improvisational multidisciplinary performances, and composes instrumental and electro-</p>
<p>acoustic music for various ensembles and media works. Since 1999, she is developing the</p>
<p>hyper-flutes. Interfaced to a computer by means of electronic sensors, these enhanced flutes enables her to compose novel interactive electroacoustic soundscapes and videos. She is the first women to own a Doctorate in Electro-Acoustic Composition from the Université de Montréal (2012) and is a collaborator of the Center for Interdisciplinary Research in Music Media and Technology (CIRMMT).</p>
</div>
<div class="bio_desc_fr">
<p>Musicienne polyvalente avide de création, la flûtiste-improvisatrice-compositrice Cléo Palacio-Quintin (1971) participe à de nombreuses premières et performances multidisciplinaires, et compose des musiques instrumentales et électroacoustiques pour différents ensembles et œuvres médiatiques. Depuis 1999, elle développe ses hyper-flûtes. Branchées à un ordinateur à l’aide de capteurs électroniques, ces flûtes augmentées permettent de créer des univers sonores interactifs qui combinent le son instrumental et électroacoustique avec la vidéo. Elle est la première femme à obtenir un Doctorat en composition électroacoustique à l’Université de Montréal (2012) et est une collaboratrice du Centre interdisciplinaire de recherche en musique, média et technologies (CIRMMT).</p>
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<!-- START : BIO CIRCLE ITEM philippe-lauzier-->
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<span class="jobtitle" >bass clarinet</span>
<span class="name">
Philippe Lauzier
</span>
</span>
</div>
<!-- bio_circles---content -->
</a>
<!-- START: BIO MODAL START -->
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<span class="jobtitle">bass clarinet</span>
<h2 class="name">
Philippe Lauzier
</h2>
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<!-- BIO SOCIAL -->
<!-- BIO CONTENT -->
<div class="bio-description--contain">
<div class="bio-description">
<div class="bio_desc_en">
<p>Philippe Lauzier has lived in Montreal since his childhood. He is an active musician, improviser, composer, performer and interdisciplinary collaborator. We often see him playing the bass clarinet or the soprano saxophone — composing and producing music using synthesizers, augmented instruments and noises from materials and objects — He has occasionally created sound installations: Pianotissage (2019) — Sept Objets (2018) — Gritty (2014). Having taken part in several tours and residencies in Canada, Europe, USA, Mexico, Chile, Australia and China, he has performed solo and with groups and collectives Sainct Laurens, Motel Hélène, Production Bozzini, Quartetski, Not the Music , Ensemble SuperMusique among others. Philippe is currently a composer and sound designer for films and art projects. He is a part-time music teacher at Collège Jean-Eudes since 2007.</p>
</div>
<div class="bio_desc_fr">
<p>Philippe Lauzier vit à Montréal depuis son enfance. Il est un musicien, improvisateur, compositeur, interprète et collaborateur interdisciplinaire actif. On le voit souvent jouer de la clarinette basse ou du saxophone soprano — composer et produire de la musique à l'aide de synthétiseurs, d'instruments augmentés et de bruits de matériaux et d'objets — Il réalise occasionnellement des installations sonores : Pianotissage (2019) — Sept Objets (2018) — Gritty (2014 ). Ayant participé à plusieurs tournées et résidences au Canada, en Europe, aux États-Unis, au Mexique, au Chili, en Australie et en Chine, il s'est produit en solo et avec les groupes et collectifs Sainct Laurens, Motel Hélène, Production Bozzini, Quartetski, Not the Music, Ensemble SuperMusique parmi les autres. Philippe est actuellement compositeur et concepteur sonore pour des films et des projets artistiques. Il est professeur de musique à temps partiel au Collège Jean-Eudes depuis 2007.</p>
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<!-- START : BIO CIRCLE ITEM zac-pulak-->
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<span class="bio_details">
<span class="jobtitle" >marimba</span>
<span class="name">
Zac Pulak
</span>
</span>
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<!-- bio_circles---content -->
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<!-- START: BIO MODAL START -->
<div id="bio_modal_zac-pulak--marimba" class="hide-on-print bio-modal reveal-modal "
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<figure>
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</figure>
<div class="bio-modal--contain">
<hgroup class="bio-modal--details">
<!-- BIO TITLE -->
<span class="jobtitle">marimba</span>
<h2 class="name">
Zac Pulak
</h2>
</hgroup><!-- bio-modal--details -->
<!-- BIO SOCIAL -->
<!-- BIO CONTENT -->
<div class="bio-description--contain">
<div class="bio-description">
<div class="bio_desc_en">
<p>Zac Pulak’s enthusiasm for performing and the music he brings to audiences of all ages is boundless. The Ottawa-based percussionist has gathered awards, accolades, and a steady stream of invitations and commissions, with the CBC declaring  Zac one of Canada’s “30 Hot Canadian Classical Musicians Under 30”. He has also been called “truly virtuosic and intense” (Confluence Concerts) and “above all, a melodist” (<em>The WholeNote</em>).  </p>
<p>Recognized as “one of Ottawa’s most dynamic musicians” (CBC), Zac loves collaborating with other musicians. As a freelance percussionist, Zac performs with the National Arts Centre Orchestra and the symphony orchestras of Ottawa, Thunder Bay, and Kingston. Zac has also lent his sound to performances with artists and ensembles such as the Gryphon Trio, Bennewitz Quartet, theremin virtuoso Thorwald Jorgensen, soprano Wallis Giunta, and more. </p>
<p>The piano/percussion duo SHHH!! Ensemble is Zac’s main squeeze. Together with his partner Edana Higham they explore sonic worlds through a myriad of percussion instruments and piano. Working closely with composers such as Kelly-Marie Murphy, Harry Stafylakis, Monica Pearce, and Jocelyn Morlock, and others, they love to share the wonder of beautiful new sounds. SHHH!! Ensemble has released two albums to date: their debut album <em>Meanwhile</em>  (2022, Analekta) was nominated for the East Coast Music Award’s “Classical Recording of the Year”, and SHHH!!’s sophomore album <em>An Auditory Survey of the Last Days of the Holocene</em>  (2023, Leaf Music) received a five-star rating by <em>La Scena Musicale</em> with them calling the project a “masterpiece” and “a much-needed reminder of the healthy world we’re all working toward”. SHHH!! has toured extensively across Canada, appearing at festivals such as New Works Calgary, Tuckamore Chamber Music Festival (Newfoundland), La Société de musique contemporaine du Québec (Montreal), Ottawa Chamberfest, GroundSwell (Winnipeg), and numerous others. </p>
</div>
<div class="bio_desc_fr">
<p>L’enthousiasme de Zac Pulak pour la scène et la musique ne connaît pas de limites, pour le plus grand plaisir des mélomanes de tous âges. Acclamé par la critique, plusieurs fois récompensé et toujours très sollicité, ce percussionniste outaouais compte parmi les « 30 talents de moins de 30 ans à surveiller en musique classique » selon la CBC. On le décrit également comme « véritablement virtuose et intense » (Confluence Concerts de Toronto) et « un mélodiste avant tout » (<em>The WholeNote</em>).</p>
<p>Reconnu comme « l’un des musiciens les plus prolifiques d’Ottawa » (CBC), Pulak collabore avec d’autres artistes. En tant que percussionniste indépendant, il se produit avec l’Orchestre du Centre national des Arts et les orchestres symphoniques d’Ottawa, de Thunder Bay et de Kingston. Il a aussi prêté ses talents pour des spectacles aux côtés d’artistes et d’ensembles comme le Gryphon Trio, le Bennewitz Quartet, le virtuose du thérémine Thorwald Jorgensen, la soprano Wallis Giunta, et bien d’autres encore.</p>
<p>Le duo piano-percussion SHHH!! Ensemble est le projet phare de Pulak. Avec sa compère Edana Higham, il explore les univers sonores à travers le piano et une myriade d’instruments à percussion. Collaborant étroitement avec des compositeurs et compositrices comme Kelly-Marie Murphy, Harry Stafylakis, Monica Pearce et Jocelyn Morlock, le duo prend plaisir à partager la beauté incroyable de sons nouveaux. SHHH!! Ensemble a sorti deux albums : le premier, <em>Meanwhile</em> (2022, Analekta), était en lice aux Prix de la musique de la côte Est dans la catégorie « Enregistrement classique de l’année », tandis que le second, <em>An Auditory Survey of the Last Days of the Holocene</em> (2023, Leaf Music), a reçu cinq étoiles du magazine <em>La Scena Musicale</em>, qui a qualifié le projet de « chef d’œuvre » et de « rappel nécessaire du monde sain que nous aspirons toutes et tous à bâtir ». SHHH!! a sillonné les routes du Canada et s’est produit dans des festivals tels que New Works Calgary, le Festival de musique de chambre Tuckamore (Terre-Neuve), la Société de musique contemporaine du Québec (Montréal), Ottawa Chamberfest, GroundSwell (Winnipeg) et bien d’autres.</p>
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<!-- START : BIO CIRCLE ITEM philippe-charbonneau-->
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data-eventtitle="Philippe Charbonneau"
data-eventid="32032"
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<div class="bio_circles---content">
<figure>
<img src="/assets/img/icons/avatar_empty.png" title="Philippe Charbonneau - no photo">
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<span class="bio_details">
<span class="jobtitle" >bass</span>
<span class="name">
Philippe Charbonneau
</span>
</span>
</div>
<!-- bio_circles---content -->
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<!-- START: BIO MODAL START -->
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</figure>
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<hgroup class="bio-modal--details">
<!-- BIO TITLE -->
<span class="jobtitle">bass</span>
<h2 class="name">
Philippe Charbonneau
</h2>
</hgroup><!-- bio-modal--details -->
<!-- BIO SOCIAL -->
<!-- BIO CONTENT -->
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<li class="credit-item">
<span class="artist_role">Voices and improvisers of Stefánsdóttir’s performance score for the electronics i.e., holm’s sedimentation</span>
<span class="artist_name">
rebecca bruton (CA), Sofia Härdig (SE), Maja Jantar (NL/FI), Halla Steinunn Stefánsdóttir (IS)
</span>
</li>
<li class="credit-item">
<span class="artist_role">Improvisations with instruments and activations of objects</span>
<span class="artist_name">
Stefánsdóttir, Jantar, and Guðrún Óskarsdóttir (IS, harpsichord/clavecin)
</span>
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<li class="credit-item">
<span class="artist_role">Recitation</span>
<span class="artist_name">
Vera Hrafnsdóttir (IS, age 5) and Bjarki Hrafnsson (IS, age 8)
</span>
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<span class="artist_role">Final Mix</span>
<span class="artist_name">
Halla Steinunn Stefánsdóttir, Jonas Jönsson
</span>
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<span class="artist_role">Mastering</span>
<span class="artist_name">
Kent Olofsson
</span>
</li>
<li class="credit-item">
<span class="artist_role">Live performers </span>
<span class="artist_name">
Renée Dahn (viola/violon), Jasmine Tsui (vibraphone/vibraphone), Cléo Palacio-Quintin (bass flute/ flûte basse), Philippe Lauzier (bass clarinet/ clarinette basse), Zac Pulak (marimba/marimba) and Philippe Charbonneau (bass/basse), Halla Steinunn Stefánsdóttir (baroque violin/ violon baroque), rebecca bruton (voice/voix).
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<p><strong>Thank you to our Lead Donors </strong><br />
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