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<title>Violinist Andrew Wan and Pianist Charles Richard-Hamelin with the Dior Quartet &#8226; Friday, February 7, 2025 • 7:30pm</title>
	<meta name="description" content="Join violinist Andrew Wan, pianist Charles Richard-Hamelin, and the celebrated Dior Quartet for an evening that defies convention, weaving together the expressive beauty of Romantic music. Schubert’s &quot;String Quartet No. 12 in C minor, D. 703 &#039;Quartettsatz&#039;&quot; grips the listener with its sudden intensity, while Brahms’ &quot;Violin Sonata No. 3 in D minor, Op. 108&quot; explores the most profound corners of passion and introspection. The playful energy of Brahms’ &quot;Sonatensatz Scherzo in C minor&quot; injects bursts of rhythmic brilliance into the mix, juxtaposed against Mendelssohn’s &quot;Concerto for Violin, Piano, and Strings in D minor, MWV O 4,&quot; where virtuosic flourishes and lyrical conversations soar. Each work reveals a different facet of Romanticism, drawing you into a complex web of emotion, drama, and beauty, where no moment is predictable and every note captivates. Presented with the generous support of Musician-in-Residence Presenting Partner – Lang Optometry and Eyewear. Season Sponsor: Jules Chamberlain / Red Door Realty." />
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	<meta property="og:title" content="Violinist Andrew Wan and Pianist Charles Richard-Hamelin with the Dior Quartet &#8226; Friday, February 7, 2025 • 7:30pm" />
	<meta property="og:description" content="Join violinist Andrew Wan, pianist Charles Richard-Hamelin, and the celebrated Dior Quartet for an evening that defies convention, weaving together the expressive beauty of Romantic music. Schubert’s &quot;String Quartet No. 12 in C minor, D. 703 &#039;Quartettsatz&#039;&quot; grips the listener with its sudden intensity, while Brahms’ &quot;Violin Sonata No. 3 in D minor, Op. 108&quot; explores the most profound corners of passion and introspection. The playful energy of Brahms’ &quot;Sonatensatz Scherzo in C minor&quot; injects bursts of rhythmic brilliance into the mix, juxtaposed against Mendelssohn’s &quot;Concerto for Violin, Piano, and Strings in D minor, MWV O 4,&quot; where virtuosic flourishes and lyrical conversations soar. Each work reveals a different facet of Romanticism, drawing you into a complex web of emotion, drama, and beauty, where no moment is predictable and every note captivates. Presented with the generous support of Musician-in-Residence Presenting Partner – Lang Optometry and Eyewear. Season Sponsor: Jules Chamberlain / Red Door Realty." />
	<meta property="og:url" content="https://www.ceciliaconcerts.ca/concert/violinist-andrew-wan-and-pianist-charles-richard-hamelin-with-the-dior-quartet/" />
	<meta property="og:site_name" content="Cecilia Concerts | Halifax, Nova Scotia" />
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	<meta property="article:modified_time" content="2025-06-10T15:13:33+00:00" />
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	<meta name="twitter:title" content="Violinist Andrew Wan and Pianist Charles Richard-Hamelin with the Dior Quartet &#8226; Friday, February 7, 2025 • 7:30pm" />
	<meta name="twitter:description" content="Join violinist Andrew Wan, pianist Charles Richard-Hamelin, and the celebrated Dior Quartet for an evening that defies convention, weaving together the expressive beauty of Romantic music. Schubert’s &quot;String Quartet No. 12 in C minor, D. 703 &#039;Quartettsatz&#039;&quot; grips the listener with its sudden intensity, while Brahms’ &quot;Violin Sonata No. 3 in D minor, Op. 108&quot; explores the most profound corners of passion and introspection. The playful energy of Brahms’ &quot;Sonatensatz Scherzo in C minor&quot; injects bursts of rhythmic brilliance into the mix, juxtaposed against Mendelssohn’s &quot;Concerto for Violin, Piano, and Strings in D minor, MWV O 4,&quot; where virtuosic flourishes and lyrical conversations soar. Each work reveals a different facet of Romanticism, drawing you into a complex web of emotion, drama, and beauty, where no moment is predictable and every note captivates. Presented with the generous support of Musician-in-Residence Presenting Partner – Lang Optometry and Eyewear. Season Sponsor: Jules Chamberlain / Red Door Realty." />
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.fooevents-attendees-pictures .fooevents-attendee {
  float: left;
  text-align: center;
  line-height: 1.3em;
  margin: 0 0 0 -0.8em;
}

.fooevents-attendees-pictures .fooevents-attendee img {
  max-width: 100%;
}

.fooevents-attendees-pictures .fooevents-attendee-size-large {
  width: 6em;
}

.fooevents-attendees-pictures .fooevents-attendee-size-large img {
  border: solid 4px #fff;
  width: 6em;
}

.fooevents-attendees-pictures .fooevents-attendee-size-medium {
  width: 3.5em;
}

.fooevents-attendees-pictures .fooevents-attendee-size-medium img {
  border: solid 3px #fff;
  width: 3.5em;
}

.fooevents-attendees-pictures .fooevents-attendee-size-small {
  width: 2.5em;
}

.fooevents-attendees-pictures .fooevents-attendee-size-small img {
  border: solid 2px #fff;
  width: 2.5em;
}

#fooevents-attendee-list-compact .fooevents-attendee-large img {
  max-width: 6em;
}

#fooevents-attendee-list-compact .fooevents-attendee-medium img {
  max-width: 3.5em;
}

#fooevents-attendee-list-compact .fooevents-attendee-small img {
  max-width: 2.5em;
}

.fooevents-attendees-pictures .fooevents-attendee-0 {
  margin: 0;
}

/* Attendee Block List Styles */
.fooevents-attendees-list img {
  border-radius: 100%;
  max-width: 90%;
  margin: 0 0 0.5em;
}

.fooevents-attendees-list-total {
  padding: 1em 0;
  text-align: left;
}

/* Attendee Block Image Styles */
.fooevents-attendees-pictures .fooevents-attendee img {
  border-radius: 100%;
  max-width: 100%;
  margin: 0 0 0.5em;
}

/* Responsive Styles */
@media screen and (max-width: 55em) {
  .fooevents-attendee-list-grid-5,
  .fooevents-attendee-list-grid-6,
  .fooevents-attendee-list-grid-7,
  .fooevents-attendee-list-grid-8 {
    grid-template-columns: repeat(5, calc(20% - 24px));
  }
}
@media screen and (max-width: 50em) {
  .fooevents-attendee-list-grid-5,
  .fooevents-attendee-list-grid-6,
  .fooevents-attendee-list-grid-7,
  .fooevents-attendee-list-grid-8 {
    grid-template-columns: repeat(4, calc(25% - 22.5px));
  }
}
@media screen and (max-width: 40em) {
  .fooevents-attendee-list-grid-4,
  .fooevents-attendee-list-grid-5,
  .fooevents-attendee-list-grid-6,
  .fooevents-attendee-list-grid-7,
  .fooevents-attendee-list-grid-8 {
    grid-template-columns: repeat(3, calc(33.33% - 20px));
  }
  #fooevents-attendee-list-compact th {
    display: none;
  }
  #fooevents-attendee-list-compact td {
    display: block;
    width: 100%;
  }
}
@media screen and (max-width: 30em) {
  .fooevents-attendee-list-grid-3,
  .fooevents-attendee-list-grid-4,
  .fooevents-attendee-list-grid-5,
  .fooevents-attendee-list-grid-6,
  .fooevents-attendee-list-grid-7,
  .fooevents-attendee-list-grid-8 {
    grid-template-columns: repeat(2, calc(50% - 15px));
  }
}

/*# sourceMappingURL=style-index.css.map*/
</style>
<link rel='stylesheet' id='wpzoom-social-icons-block-style-css' href='https://www.ceciliaconcerts.ca/wp-content/plugins/social-icons-widget-by-wpzoom/block/dist/style-wpzoom-social-icons.css?ver=4.5.1' type='text/css' media='all' />
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:root :where(.wp-block-pullquote){font-size: 1.5em;line-height: 1.6;}
</style>
<link rel='stylesheet' id='edsanimate-animo-css-css' href='https://www.ceciliaconcerts.ca/wp-content/plugins/animate-it/assets/css/animate-animo.css?ver=6.8.3' type='text/css' media='all' />
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<style id='woocommerce-inline-inline-css' type='text/css'>
.woocommerce form .form-row .required { visibility: visible; }
</style>
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width: 100%;
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margin: auto;
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footer .container {
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padding: 10px;
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.loves-of-philip-chiu .product_item .price {
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.single-product .product_item .price {
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#nav-main ul.sf-menu ul#kad-head-cart-popup .buttons .button {
background: #d6552d;
color: #fff;
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.woocommerce-product-gallery img {
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.onsale {
display: none !important;
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#nav-main ul.sf-menu ul li a {
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.woocommerce-variation-description p {
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#pr-thumbnails {
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.single_variation {
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.homecontent .shortcode_blog_grid_content .blog_item .postcontent h5.entry-title {
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.page-id-10512 .main .shortcode_blog_grid_content .kad_blog_item .postcontent .entry-content {
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.topbarmenu ul li .cart-contents {
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.home_blog article .tcol-md-12.postcontent p, .home_blog article .tcol-sm-12.postcontent p {
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.home div#kad-blog-grid {
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.panel.panel-default .panel-body {
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@media (max-width: 768px){
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}
}

@media (max-width: 767px){
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    .woocommerce-error:before, .woocommerce-info:before, .woocommerce-message:before {
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.woocommerce span.onsale, span.onsale {
background: #eb2429;
}

dt.tm-final-totals {
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}

.product .kad-light-gallery .product_image {
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.product_item .add_to_cart_button {
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.product_item a.button {
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div.product .product_meta {
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div.product .product_label .kad_required {
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div.product p.stock {
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.footerclass a:hover {
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.mc4wp-form input[type="submit"] {
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#containerfooter .menu li a {
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h1.product_title.entry-title {
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h1.product_title.entry-title {
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.button, .kad-btn {
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.stb .stb-close {
font-size: 30px;
color: #ffffff;
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.sf-menu a {
padding: 10px 0px 10px 30px;
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/* Site wide footer adjustment */
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/* Button Shape */
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.topbarmenu ul li a:hover {
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.topbarmenu ul li a {
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.topbarmenu ul li a {
font-size: 15px;
font-family: open sans !important;
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.page-header {
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.footercredits p, .footernav ul li a {
font-size: 14px;
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.footerclass a:hover {
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.boxed #wrapper.container {
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.single-article .post .entry-title {
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.home_blog .hometitle {
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.single-article article {
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.single-article .post header {
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.footernav ul li a {
color: #ffffff;
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.footercredits p {
color: #ffffff !important;
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.sm-kad-btn {
font-size: 15px;
line-height: 15px;
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<ul class="nav nav-tabs sc_tabs"><li class="active"><a href="#sctab7490" rel="nofollow">ABOUT-EN</a></li>
<li class=""><a href="#sctab7491" rel="nofollow">PROGRAM-EN</a></li>
<li class=""><a href="#sctab7492" rel="nofollow">À PROPOS-FR</a></li>
<li class=""><a href="#sctab7493" rel="nofollow">PROGRAMME-FR</a></li></ul> <div class="tab-content postclass"><div class="tab-pane clearfix active" id="sctab7490">
<h3><strong>Violinist Andrew Wan </strong><strong>and Pianist Charles Richard-Hamelin with the </strong><strong>Dior Quartet</strong></h3>
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<h5><strong>			<i class="icon-calendar " style="font-size:14px; display:inline-block; color:#0a0a0a; 			"></i>
				FRIDAY, FEBRUARY 7, 2025</strong></h5>
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				7:30PM</strong></h5>
<h5><strong>			<i class="icon-tags " style="font-size:14px; display:inline-block; color:#0a0a0a; 			"></i>
				$18.00-$42.00/GENERAL SEATING<br>
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				ELECTRONIC TICKETS</strong></h5>
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				STAGE AT ST. ANDREWS • 6036 COBURG RD</strong></h5>
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				K'JIPUKTUK/HALIFAX • MI’KMA’KI/NOVA SCOTIA</strong></h5>
<h5><strong>			<i class="icon-accessibility2 " style="font-size:14px; display:inline-block; color:#0a0a0a; 			"></i>
				WHEELCHAIR ACCESSIBLE</strong></h5>
<h5><strong>			<i class="icon-music " style="font-size:14px; display:inline-block; color:#0a0a0a; 			"></i>
				MAIN STAGE CONCERTS SERIES</strong></h5>
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<h4>About this Concert</h4>
<h5><strong>ARTISTS</strong>: Andrew Wan, violin; Noa Sarid, violin; Tobias Elser, violin; Caleb Georges, viola; Joanne Yesol Choi, cello; Charles Richard-Hamelin, piano</h5>
<h5><strong>COMPOSERS</strong>: Brahms, Mendelssohn, and Schubert</h5>
<p style="text-align: justify;"><b></b><span style="font-weight: 400;">Join violinist Andrew Wan, pianist Charles Richard-Hamelin, and the celebrated Dior Quartet for an evening that defies convention, weaving together the expressive beauty of Romantic music. Schubert’s "String Quartet No. 12 in C minor, D. 703 'Quartettsatz'" grips the listener with its sudden intensity, while Brahms’ "Violin Sonata No. 3 in D minor, Op. 108" explores the most profound corners of passion and introspection. The playful energy of Brahms’ "Sonatensatz Scherzo in C minor" injects bursts of rhythmic brilliance into the mix, juxtaposed against Mendelssohn’s "Concerto for Violin, Piano, and Strings in D minor, MWV O 4," where virtuosic flourishes and lyrical conversations soar. Each work reveals a different facet of Romanticism, drawing you into a complex web of emotion, drama, and beauty, where no moment is predictable and every note captivates. Presented with the generous support of Musician-in-Residence Presenting Partner – <a href="https://www.langoptometry.com" target="_blank" rel="noopener">Lang Optometry and Eyewear</a>. Season Sponsor: <a href="https://www.reddoorrealty.ca/our-realtors/jules-chamberlain/" target="_blank" rel="noopener">Jules Chamberlain / Red Door Realty</a>.</span></p>
<p style="text-align: justify;"></div>
<div class="tab-pane clearfix " id="sctab7491">
<h4>About this Program</h4>
<p> </p>
<p><b>Franz Schubert (1797 – 1828)</b></p>
<p><em><span style="font-weight: 400;">String Quartet No. 12 in C minor, D. 703 “Quartettsatz”</span></em></p>
<p style="text-align: justify;">Franz Schubert wrote his first string quartets as a child for performance by his family. His father, a school master in a Vienna suburb, played cello, his older brothers Ignaz and Ferdinand played violins and young Franz played viola. Franz also learned to play piano and organ. He had a beautiful singing voice which led to his attending the Imperial Seminary through a choir scholarship and to his discovery by Antonio Salieri, Vienna’s most prominent and influential musician. Schubert studied composition with Salieri for a number of years. After completing a teacher training program at the age of seventeen, he began teaching at his father’s school. He also continued composing and performing music. In the end, music won out. Schubert’s compositions were beginning to be performed in the salons and concert halls of Vienna, so in 1818, he left his teaching position and with the encouragement and support of some well-to-do friends, he launched himself on a career in music.</p>
<p style="text-align: justify;">In December of 1820, Schubert began work on a string quartet, the first he had attempted since his late teens. He completed the first movement (Allegro assai) and about forty bars of exposition for a second movement (Andante). Then, for reasons unknown, he put the piece aside, possibly intending to come back to it later. He never did. The manuscript was found some years after his death and edited by Johannes Brahms, who had it published in 1870, more than forty years after Schubert’s death. This Quartettsatz (“Quartet movement”) marks a new stage in the composer’s maturity. As music critic Kai Christiansen notes: “Schubert reveals the full technical and dramatic means of his mature style with his signature contrasts between dark, impetuous agitation and ineffably sublime lyricism.”</p>
<p> </p>
<p style="text-align: justify;"><b>Johannes Brahms (1833 – 1897)</b></p>
<p style="text-align: justify;"><em>Violin Sonata No. 3 in D minor, Op. 108</em></p>
<p style="text-align: justify;"><span style="font-weight: 400;">i. Allegro<br>
</span>ii. Adagio<br>
<span style="font-weight: 400;">iii. Un poco presto e con sentimento<br>
</span>iv. Presto agitato</p>
<p style="text-align: justify;"><span style="font-weight: 400;">By the late 1870s, Brahms was recognized as a major figure in the world of music.  Honours came streaming his way. He was awarded honorary degrees by the University of Breslau and Cambridge University; he was awarded the Maximilian Order for Science and Art by King Ludwig of Bavaria  and the Order of the House of Meiningen by Duke George of Meiningen; and he was made an honorary citizen of Hamburg, the city of his birth. Although painstaking in his craftsmanship, he continued to produce a substantial body of work between 1873 and 1888, including three symphonies, two orchestral overtures, several dozen songs, two sets of Hungarian dances, a mountain of piano music, and three violin sonatas. He had over fifty works published during this period.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Brahms began his third Violin Sonata in 1886. He completed it in 1888 and it was premiered in Budapest with Hungarian virtuoso Jeno Hubay playing violin and Brahms himself at the piano. The first movement is in the traditional sonata-allegro form with an exposition, a development section and a recapitulation. There are two contrasting subjects linked together by interludes of melodic fragments and an intricate interplay of the two instruments. The second movement is a cavatina, a simple melodious air in the violin with the piano as accompanist.  The third movement begins with the piano taking centre stage before the violin enters to resume the intricate interplay of the two instruments. The final movement features a lively, agitated tarentella. This is Brahms at the height of his powers creating music of great urgency, strength, and emotional intensity. </span></p>
<p> </p>
<p style="text-align: justify;"><b>Johannes Brahms (1833 – 1897)</b></p>
<p style="text-align: justify;"><em>Sonatensatz Scherzo in c minor</em></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Brahms career as a musician began in earnest when, as a seventeen year old, he began to tour as the accompanist to the Hungarian violin virtuoso, Ede Remenyi.  Remenyi introduced him to the music of his native Hungary, which was to have a great influence on Brahms as a composer. Remenyi also introduced him to another violin virtuoso, Joseph Joachim. Joachim, although only two years older than Brahms, was already a star performer. Brahms admired him not only as a fine violinist, but as a fellow composer. Shortly after they met, Brahms played some of his own piano compositions for him. Joachim remarked some years later, "Never in the course of my artist's life have I been more completely overwhelmed".  The two men became lifelong friends. In fact, it was through Joachim that Brahms became associated with Robert and Clara Schumann who were to have a major influence in his life.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">It was while visiting the Schumanns in Dusseldorf in 1853 that Brahms wrote the </span><i><span style="font-weight: 400;">Sonatensatz Scherzo</span></i><span style="font-weight: 400;">.  Robert Schumann had conceived of the idea of writing a sonata for violin and piano to welcome Joachim to Dusseldorf. He invited his student Albert Dietrich to compose the opening movement, Brahms contributed the second movement </span><i><span style="font-weight: 400;">Scherzo</span></i><span style="font-weight: 400;">, while Schumann composed the third movement </span><i><span style="font-weight: 400;">Intermezzo</span></i><span style="font-weight: 400;"> and the </span><i><span style="font-weight: 400;">Finale</span></i><span style="font-weight: 400;">.  Brahms’ contribution showed both his soaring aspirations and his high regard for Joachim.  It begins with a Beethovanesque flourish, moves on to a lyric interlude and ends with a sense of grandeur.  The </span><i><span style="font-weight: 400;">Scherzo</span></i><span style="font-weight: 400;"> has achieved a stand alone status and was one of the first of Brahms’ works to be published.</span></p>
<p> </p>
<p style="text-align: justify;"><strong><em>~INTERMISSION~</em></strong></p>
<p> </p>
<p style="text-align: justify;"><b>Felix Mendelssohn (1809 – 1847)</b></p>
<p style="text-align: justify;"><em><span style="font-weight: 400;">Concerto for Violin, Piano, and Strings </span><span style="font-weight: 400;">in D minor, MWV O 4</span></em></p>
<p style="text-align: justify;">i. Allegro<br>
ii. Adagio<br>
<span style="font-weight: 400;">iii. Allegro molto</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Felix Mendelssohn grew up in Berlin, in highly privileged and stimulating circumstances. His father was a wealthy banker and member of the city council. Their home was a gathering place for leading political, intellectual and artistic figures. Felix himself was extraordinarily gifted. The poet and philosopher Goethe, who had heard Mozart play as a child, found the eight year old Mendelssohn more impressive.  Young Felix also had an equally gifted older sister, Fanny, whom he adored and from whom he learned.  Their mother, Lea,  organized musical salons held at the Mendelssohn’s palatial home on Sunday mornings where Felix and Fanny often performed.  (Felix made his debut at one of these salons at age nine.) Sometimes Lea would hire an orchestra to play her precocious children’s latest compositions. Both Fanny and Felix were as prolific as they were precocious.  For example, between the ages of twelve and fourteen, Felix composed thirteen string symphonies, following the models of Haydn, C. P. E. Bach, and Mozart. He also produced a number of pieces of chamber music.  His first published piece, a piano quintet, appeared in 1822, when he was thirteen.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">The </span><i><span style="font-weight: 400;">Concerto for Violin, Piano, and Strings in D minor </span></i><span style="font-weight: 400;">was premiered at one of the Sunday morning salons in May of 1823. The fourteen year old Mendelssohn wrote it for his violin teacher, Eduard Rietz, who was a frequent participant at these salons.  It was played twice that spring, then the manuscript disappeared. Mendelssohn did not bother to have his juvenile work published. The score was discovered after World War II in the Berlin State Library. The opening </span><i><span style="font-weight: 400;">Allegro</span></i><span style="font-weight: 400;"> begins with a Classical introduction by the strings before the piano and then the violin enter to engage in a more lyrical theme. The movement’s emotional range runs from a lyrical tristesse to an adolescent rambunctiousness. The </span><i><span style="font-weight: 400;">Andante</span></i><span style="font-weight: 400;"> second movement is the Concerto’s radiant centerpiece, while the Finale sets the seal on a piece that demonstrates both the skill and the enthusiasm of its 14-year-old creator. </span></p>
<p><em>Program notes by Larry Bent</em></p>
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<h4>About the Artists</h4>
<p> </p>
<p><b>About the Dior String Quartet</b></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Joined together from Israel, Korea-Canada, Saint Lucia, and the USA, the Dior String Quartet is the Quartet-in-Residence at the Glenn Gould School, Royal Conservatory of Music in Toronto. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Silver prize winners of the 2021 Chesapeake Chamber Music Competition and Bronze Medalists of the 2019 Fischoff National Chamber Music Competition, they formed in Fall 2018 at the Jacobs School of Music, Indiana University under the tutelage of Pacifica Quartet. They studied with members of the Alban Berg, St. Lawrence, Danish, Artemis, Ébene, and Belcea Quartets. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">The Dior Quartet participated in various programs, including the Britten-Pears Young Artists Program, Banff String Quartet: Evolution in collaboration with Tippet Rise Art Center, McGill International String Quartet Academy in Montreal, and the SLSQ Seminar. The Dior Quartet collaborated with Orion Weiss and Victor Yampolsky during their residency at Wintegreen Music Festival, and with Rolston String Quartet, Axel Strauss, and Stéphane Lemelin at the 2021 Prince Edward County Chamber Music Festival.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">The quartet made their debut with the Schneider Concert Series In January 2021 and were quarter-finalists in the 2021 Bartok World Competition in Budapest.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">The repertoire and projects they pursue intersect with their multicultural backgrounds and moral values, as they seek to explore the immigrant experience through art. The quartet takes their name from the French word “D’or” which means gold. It's a rare, elegant, and malleable element, precious to those who own it and often gifted to loved ones. Most importantly, gold holds the memory of the earth and absorbs the stories of the people who give it shape and form.  </span></p>
<p> </p>
<p style="text-align: justify;"><b>Noa Sarid, violin</b></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Noa Sarid is an Israeli violinist and chamber musician. She is the first violinist and founding member of the Dior Quartet, winner of the 2023 Concert Artist Guild Elmaleh Competition, silver prize winner of the Chesapeake Chamber Music Competition (2021) and bronze medalist of the 46th Fischoff National Chamber Competition (2019). Coached by the Pacifica Quartet, the Dior Quartet also studied with members of the Alban Berg, St. Lawrence, Danish, Artemis, Ébène, and Belcea Quartets. She is a 2023 Rebanks Fellow at the Royal Conservatory of Music. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Noa is the recipient of various scholarships and awards, such as the Ronen Foundation and the America-Israel Cultural Foundation (2004-2019) and the UNO Competition (Second prize, 2013). As a soloist, Noa toured in Israel and Europe with The Symphonette Ra’anana and The Thelma Yellin Symphony Orchestras. Noa participated in The Aspen Music Festival and School as a full scholarship recipient. As a chamber musician, Noa is a Naxos Records artist (2020) and a four-time winner of the Jerusalem Academy of Music Chamber Competition (2015-2018).</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Noa is committed to advocating social justice through music. She took part in the Musethica International Chamber Music Festival in 2017, performing in hospitals, shelters for survivors of domestic violence, prisons, and schools for children with special needs. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Noa holds a master’s degree in Violin Performance from Indiana University’s Jacobs School of Music and a bachelor’s degree from The Jerusalem Academy of Music and Dance. Noa’s violin mentors include Simin Ganatra, Roi Shiloah, and Nava Milo. With the Dior Quartet, Noa will joined The Glenn Gould School of The Royal Conservatory in Toronto as the new String Quartet-in-residence for the 2021-2022 academic year. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Noa teaches violin at the Lane School of Music, and passionately mentors violin students at the Oscar Peterson Program at the Royal Conservatory of Music, Toronto.</span></p>
<p> </p>
<p style="text-align: justify;"><b>Tobias Elser, violin </b></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Tobias Elser began his violin studies at the age of 5 in his hometown of Ithaca, NY. He then went on to study with Marilyn McDonald at Oberlin Conservatory for his Bachelor’s degree. It was while he was concertmaster of the Oberlin Chamber Orchestra that he realized he had an affinity for chamber collaboration and since then he has devoted his musical focus to the art of chamber music. While attending Oberlin he also discovered the unique thrill that contemporary music can offer after having worked extensively with Timothy Weiss. After graduating from Oberlin, Elser fueled this newly found passion by playing in esteemed modern chamber music ensembles such as the International Contemporary Ensemble, and the Slee Sinfonietta. Prior to joining the Dior Quartet, Elser attended numerous chamber music festivals such as the Bowdoin International Music Festival and the Madeline Island Chamber Music Festival, among others.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Elser then went on to receive his Master’s of Music Degree from Indiana University, under the violin instruction of Kevork Mardirossian. It was during his first year at Indiana that Elser and his classmates formed the Dior Quartet. During their studies, the quartet received many awards from the Jacobs School of Music including the Kuttner Quartet Scholarship, the Chamber Music Fellowship position, as well as 1st prize at the annual Beethoven Haus Quartet Competition. After completing his Master’s in Violin Performance, Elser went on to receive a Performer’s Diploma in Chamber Music, also from Indiana.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Since the Fall of 2021 the Dior Quartet has held the position of Quartet in Residence at the Glenn Gould School at the Royal Conservatory of Music in Toronto. Elser plays on a violin crafted by Jesse Maschmeyer in 2010. When he’s not rehearsing with his quartet or teaching violin lessons, he enjoys improvising on piano, and going on hikes.</span></p>
<p> </p>
<p style="text-align: justify;"><b>Caleb Georges, viola </b></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Violist Caleb Georges, comes from the island of St. Lucia. Raised in the small town of Babonneau, he began his musical journey at the age of 7 on piano at the St. Lucia School of Music. It wasn’t until the age of 13 did he start to pick up the viola. A few years later, he left his island home to pursue his studies in music in the US.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">During his studies at university, Caleb gained some recognition from solo and chamber competitions. In 2015 he won first prize at the 2015 Douglas Wayland Chamber Music Competition with his group, Max Trio. He was also a  first prize winner at the 2018 Dale &amp; Nancy Briggs Chamber Music Competition as well as the 2019 WDAV Young Chamber Musicians Competition with his former group the Ivalas Quartet. Later that year he was featured live on the Violin Channel as well as Detroit public television when he won the third prize in the 2019 senior division Sphinx Competition, soloing and sharing the stage with the Sphinx Symphony Orchestra in Detroit’s very own Orchestra Hall.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">As an avid chamber player, Caleb has performed and collaborated with a number of ensembles across North America. He joined the Black and LatinX conductor-less string chamber ensemble, Sphinx Virtuosi, who toured across the US performing on historic stages such as Carnegie Hall and the Library of Congress. Caleb has also worked and performed with artists such as the Calidore String Quartet, Danielle Belen, David Ying, Axel Strauss, Stéphane Lemelin and Patricia Terry-Ross.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Caleb holds a BM in Viola performance from Bowling Green State University under Matthew Daline. A recipient of the Sphinx full tuition award, Caleb received his masters at the University of Michigan studying both Viola Performance and Chamber Music under the tutelage of Caroline Coade. Since joining the Dior String Quartet, Caleb attended Indiana University as a string quartet fellowship recipient studying with Mark Holloway and the award winning Pacifica Quartet. He is currently at residence with the Dior String Quartet at the Glenn Gould School of the Royal Conservatory.</span></p>
<p> </p>
<p style="text-align: justify;"><b>Joanne Yesol Choi, cello </b></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Korean-Canadian cellist Joanne Yesol Choi, is an avid chamber musician, teacher, and founding member of the Dior Quartet. The ensemble is the Quartet-in-Residence at the Glenn Gould School at the Royal Conservatory of Music. They have been prize winners of the Fischoff, Chesapeake, and Plowman Chamber Music Competitions, and have competed in the Banff and Bartok International String Quartet Competitions.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Joanne has performed on stages across North America, the U.K, and Germany such as the Banff Chamber Music Residency, Robert Mann String Quartet Seminar at MSM, the Ashkenazi/Kirshbaum Chamber Music Seminar at the Heifetz Institute, SLSQ Seminar at Stanford University, Toronto Summer Music Festival, McGill International String Quartet Academy, Beethoven Haus Residency in Bonn, and the Britten-Pears Program at Snape Maltings with full scholarships. The Dior Quartet made their debut with the Schneider Concert Series in January 2021.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">As a teacher, Joanne currently coaches and teaches students at the Phil and Eli Taylor Academy, where she was a scholarship student for 6 years during her youth. She is also an Instructor at the Oscar Peterson School of Music, another institution at the Royal Conservatory of Music. She was one of the adjudicators for the 2023 Don Banks Music Awards.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Growing up in Toronto, Joanne was a member of the Toronto Symphony Youth Orchestra and toured Canada as one of the four rotating Principal Cellists of the National Youth Orchestra of Canada in 2014 and was selected as the soloist for Jordan Pal’s The Afar. She has also attended the Meadowmount School of Music and the Aspen Music Festival. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">She has performed in masterclasses for Mischa Maisky, Alisa Weilerstein, Colin Carr, Andres Diaz, Joseph Johnson, David Geber, Dennis Brott, and Johanne Perron. She has collaborated with Orion Weiss, Phillip Setzer, Andrew Wan, Art of Time Ensemble, Owen Dalby, Axel Strauss, Stephen Lemelin, Douglas McNabney and Eric Silberger in chamber music concert settings.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Joanne was included in the 2023 CBC 30 Under 30 Canadian Musicians List. She completed her Bachelors and Masters at Indiana University, Jacobs School of Music and studied with Eric Kim, Brandon Vamos, and the Pacifica Quartet. Joanne returned to continue her studies as a Fellow in the Rebanks Family Fellowship and International Performance Residency Program in Fall 2021.</span></p>
<p> </p>
<p style="text-align: justify;"><b>Andrew Wan, violin</b></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Andrew Wan was named concertmaster of the Orchestre symphonique de Montréal (OSM) in 2008. As soloist, he has performed worldwide under conductors such as Rafael Payare, Maxim Vengerov, Vasily Petrenko, Bernard Labadie, Carlo Rizzi, Peter Oundjian, Xian Zhang, Michael Stern and James DePreist, and has appeared in recitals with artists such as the Juilliard Quartet, Vadim Repin, Marc-André Hamelin, Daniil Trifonov, Menahem Pressler, Jörg Widmann, Emanuel Ax, James Ehnes, and Gil Shaham. His discography includes Grammy-nominated and Juno, Felix and Opus award-winning releases on the Onyx, Bridge, and Naxos labels with the Seattle Chamber Music Society, New York’s Metropolis Ensemble, and the New Orford String Quartet. In the fall of 2015, he released a live recording of all three Saint-Saëns violin concerti with the OSM and Kent Nagano under the Analekta label to wide critical acclaim. His recent live album of works for violin and orchestra by Bernstein, Moussa and Ginastera with Nagano and the OSM won a 2021 Juno award for Classical Album of the Year – Large Ensemble.  He enjoys a close collaborative relationship with Charles Richard-Hamelin, with whom he has recorded the entire Beethoven piano and violin sonata cycle. Mr. Wan graduated from The Juilliard School with a Bachelor of Music, Master of Music and Artist Diploma degrees, is currently Artistic Director of the Prince Edward County Chamber Music Festival and for the 2017-18 season was Artistic Partner of the Edmonton Symphony Orchestra. Associate Professor of Violin at the Schulich School of Music at McGill University, he was the recipient of the Part-Time Teaching Award at the Schulich School in 2019.He has sat as guest concertmaster for the Pittsburgh, Houston, Indianapolis, National Arts Centre, Toronto and Vancouver Symphony orchestras. Andrew Wan is the Cecilia Concerts 2024/25 Musician-in-Residence. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Andrew performs on a 1744 Michel'Angelo Bergonzi violin, and gratefully acknowledges its loan from the David Sela Collection.  He also enjoys the use of an 1860 Dominique Peccatte bow from Canimex.</span></p>
<p> </p>
<p style="text-align: justify;"><b>Charles Richard-Hamelin, piano</b></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Silver medalist and winner of the Krystian Zimerman Prize at the 2015 International Chopin Piano Competition, pianist Charles Richard-Hamelin has emerged as one of the most important pianists of his generation. Recipient of the Ordre des arts et des lettres du Québec and of the prestigious </span><i><span style="font-weight: 400;">Career Development Award</span></i><span style="font-weight: 400;"> conferred by the Women’s Musical Club of Toronto, he was awarded the Prix Denise-Pelletier in November 2022, becoming the youngest recipient in the history of the Prix du Québec.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">He has been invited to many major festivals such as </span><i><span style="font-weight: 400;">La Roque d’Anthéron</span></i><span style="font-weight: 400;"> and the </span><i><span style="font-weight: 400;">Nohant Festival</span></i><span style="font-weight: 400;"> in France, the Prague Spring Festival, the </span><i><span style="font-weight: 400;">Chopin and his Europe</span></i><span style="font-weight: 400;"> Festival in Warsaw, the Lanaudière Festival and the George Enescu Festival in Bucarest. As a soloist, he has performed with many ensembles including the major Canadian symphony orchestras (Montreal, Toronto, Ottawa, Metropolitan, Quebec City, Edmonton, Calgary, etc.) as well as the Warsaw Philharmonic Orchestra, Sinfonia Varsovia, Tokyo Metropolitan Symphony Orchestra, Singapore Symphony Orchestra, Korean Symphony Orchestra, OFUNAM (Mexico), Les Violons du Roy and I Musici de Montréal. He has worked with such renowned conductors as Kent Nagano, Rafael Payare, Bernard Labadie, Antoni Wit, Vasily Petrenko, Jacek Kaspszyk, Aziz Shokhakimov, Peter Oundjian, Jacques Lacombe, Fabien Gabel, Carlo Rizzi, John Storgårds, Alexander Prior, Giancarlo Guerrero, Christoph Campestrini, Lan Shui, Otto Tausk, Jean-Marie Zeitouni, Kazuki Yamada, Yannick Nézet-Séguin and Jonathan Cohen. Charles Richard-Hamelin is also active as a chamber musician. He has performed with Andrew Wan, James Ehnes, Marie-Nicole Lemieux, Marc-André Hamelin, the Dover Quartet, the New Orford Quartet, the Apollon Musagète Quartet and the Meccore Quartet, among others. A graduate of McGill University, the Yale School of Music and the Conservatoire de musique de Montréal, he studied with Paul Surdulescu, Sara Laimon, Boris Berman, André Laplante and Jean Saulnier.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Charles Richard-Hamelin has recorded eleven albums, all released on the Analekta label (Outhere Music). Five of these are dedicated primarily to the solo piano works of Frédéric Chopin; there are also four recordings with Andrew Wan, concertmaster of the OSM. He has also recorded concertante works: both Chopin piano concertos with the Orchestre symphonique de Montréal, conducted by Kent Nagano, and Mozart’s Piano Concertos nos. 22 and 24 with Les Violons du Roy, conducted by Jonathan Cohen. Six Félix awards (ADISQ) and a JUNO in 2022 saluted the quality of these albums, which have been received widespread acclaim from critics around the world.</span></p>
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<h3>Le violoniste Andrew Wan et le pianiste Charles Richard-Hamelin avec le Quatuor Dior</h3>
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<h4>À propos de ce concert</h4>
<h5><strong>ARTISTES</strong> : Andrew Wan, violon ; Noa Sarid, violon ; Tobias Elser, violon ; Caleb Georges, alto ; Joanne Yesol Choi, violoncelle ; Charles Richard-Hamelin, piano</h5>
<h5><strong>COMPOSITEURS</strong> : Brahms, Mendelssohn et Schubert</h5>
<p style="text-align: justify;">Rejoignez le violoniste Andrew Wan, le pianiste Charles Richard-Hamelin et le célèbre Quatuor Dior pour une soirée qui défie les conventions, en tissant ensemble la beauté expressive de la musique romantique. Le « Quatuor à cordes no 12 en do mineur, D. 703 “Quartettsatz” » de Schubert saisit l'auditeur par son intensité soudaine, tandis que la « Sonate pour violon no 3 en ré mineur, op. 108 » de Brahms explore les recoins les plus profonds de la passion et de l'introspection. L'énergie ludique du « Sonatensatz Scherzo en do mineur » de Brahms injecte des éclats de brillance rythmique dans le mélange, juxtaposé au « Concerto pour violon, piano et cordes en ré mineur, MSV O 4 » de Mendelssohn, où s'épanouissent virtuosité et conversations lyriques. Chaque œuvre révèle une facette différente du romantisme, vous entraînant dans un réseau complexe d'émotions, de drame et de beauté, où aucun moment n'est prévisible et où chaque note est captivante. Présenté avec le généreux soutien de <a href="https://www.langoptometry.com" target="_blank" rel="noopener">Lang Optometry and Eyewear</a>, partenaire de présentation du musicien en résidence. Commanditaire de la saison : <a href="https://reddoorrealty.ca/our-realtors/jules-chamberlain/" target="_blank" rel="noopener">Jules Chamberlain / Red Door Realty</a>.</p>
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<h4>À propos du programme</h4>
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<p><b>Franz Schubert (1797 - 1828)</b></p>
<p><em><span style="font-weight: 400;">Quatuor à cordes no 12 en do mineur, D. 703 « Quartettsatz »</span></em></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Franz Schubert a écrit ses premiers quatuors à cordes alors qu'il était enfant, pour qu'ils soient joués par sa famille. Son père, maître d'école dans un faubourg de Vienne, jouait du violoncelle, ses frères aînés Ignaz et Ferdinand jouaient du violon et le jeune Franz de l'alto. Franz apprend également à jouer du piano et de l'orgue.  Il avait une belle voix chantée, ce qui lui permit de fréquenter le séminaire impérial grâce à une bourse de chorale et d'être découvert par Antonio Salieri, le musicien le plus en vue et le plus influent de Vienne.  Schubert étudie la composition avec Salieri pendant plusieurs années.  Après avoir suivi un programme de formation à l'enseignement à l'âge de dix-sept ans, il commence à enseigner dans l'école de son père. Il continue également à composer et à jouer de la musique. Finalement, c'est la musique qui l'emporte.  Les compositions de Schubert commencent à être jouées dans les salons et les salles de concert de Vienne. En 1818, il quitte donc son poste d'enseignant et, avec les encouragements et le soutien de quelques amis fortunés, il se lance dans une carrière musicale. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">En décembre 1820, Schubert commence à travailler sur un quatuor à cordes, le premier qu'il ait tenté depuis la fin de son adolescence. Il achève le premier mouvement (Allegro assai) et une quarantaine de mesures d'exposition pour un deuxième mouvement (Andante). Puis, pour des raisons inconnues, il a mis l'œuvre de côté, peut-être dans l'intention d'y revenir plus tard.  Il ne l'a jamais fait. Le manuscrit fut retrouvé quelques années après sa mort et édité par Johannes Brahms, qui le fit publier en 1870, plus de quarante ans après la mort de Schubert. Ce Quartettsatz (« mouvement de quatuor ») marque une nouvelle étape dans la maturité du compositeur.  Comme le note le critique musical Kai Christiansen : « Schubert révèle tous les moyens techniques et dramatiques de son style mature avec ses contrastes caractéristiques entre une agitation sombre et impétueuse et un lyrisme ineffablement sublime. » </span></p>
<p> </p>
<p style="text-align: justify;"><b>Johannes Brahms (1833 - 1897)</b></p>
<p style="text-align: justify;"><em><span style="font-weight: 400;">Sonate pour violon no 3 en ré mineur, opus 108</span></em></p>
<p style="text-align: justify;">i. Allegro<br>
ii. Adagio<br>
<span style="font-weight: 400;">iii. Un poco presto e con sentimento<br>
</span>iv. Presto agitato</p>
<p style="text-align: justify;"><span style="font-weight: 400;">À la fin des années 1870, Brahms est reconnu comme une figure majeure du monde de la musique.  Les honneurs affluent. L'université de Breslau et l'université de Cambridge lui décernent des diplômes honorifiques ; le roi Louis de Bavière lui remet l'ordre Maximilien pour la science et l'art et le duc Georges de Meiningen l'ordre de la Maison de Meiningen ; il est fait citoyen d'honneur de Hambourg, sa ville natale. Bien que son travail soit minutieux, il continue à produire une œuvre substantielle entre 1873 et 1888, dont trois symphonies, deux ouvertures orchestrales, plusieurs dizaines de chansons, deux ensembles de danses hongroises, une montagne de musique pour piano et trois sonates pour violon. Il a publié plus de cinquante œuvres au cours de cette période.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Brahms a commencé sa troisième sonate pour violon en 1886. Il l'a achevée en 1888 et l'a créée à Budapest avec le virtuose hongrois Jeno Hubay au violon et Brahms lui-même au piano. Le premier mouvement reprend la forme traditionnelle de la sonate-allegro, avec une exposition, une section de développement et une récapitulation. Deux sujets contrastés sont liés par des interludes de fragments mélodiques et un jeu complexe entre les deux instruments. Le deuxième mouvement est une cavatine, un air mélodieux simple pour le violon, accompagné par le piano.  Le troisième mouvement commence avec le piano qui occupe le devant de la scène avant que le violon n'entre en scène pour reprendre le jeu complexe des deux instruments. Le dernier mouvement comporte une tarentelle vive et agitée. Brahms est au sommet de son art et crée une musique d'une grande urgence, d'une grande force et d'une grande intensité émotionnelle.</span></p>
<p> </p>
<p style="text-align: justify;"><b>Johannes Brahms (1833 - 1897)</b></p>
<p style="text-align: justify;"><em><span style="font-weight: 400;">Sonatensatz Scherzo en do mineur</span></em></p>
<p style="text-align: justify;"><span style="font-weight: 400;">La carrière de Brahms en tant que musicien commence véritablement lorsque, à l'âge de dix-sept ans, il part en tournée pour accompagner le violoniste virtuose hongrois Ede Remenyi.  Remenyi lui fait découvrir la musique de sa Hongrie natale, qui aura une grande influence sur Brahms en tant que compositeur. Remenyi lui présente également un autre virtuose du violon, Joseph Joachim. Joachim, qui n'a que deux ans de plus que Brahms, est déjà un interprète de premier plan. Brahms l'admire non seulement comme un excellent violoniste, mais aussi comme un collègue compositeur. Peu après leur rencontre, Brahms lui joua quelques-unes de ses propres compositions pour piano. Joachim déclara quelques années plus tard : « Jamais, au cours de ma vie d'artiste, je n'ai été aussi complètement subjugué ».  Les deux hommes sont devenus des amis de longue date. En fait, c'est par l'intermédiaire de Joachim que Brahms s'est associé à Robert et Clara Schumann, qui allaient avoir une influence majeure sur sa vie.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">C'est en rendant visite aux Schumann à Düsseldorf en 1853 que Brahms écrivit le Sonatensatz Scherzo.  Robert Schumann avait eu l'idée d'écrire une sonate pour violon et piano pour accueillir Joachim à Düsseldorf. Il invita son élève Albert Dietrich à composer le mouvement d'ouverture, Brahms contribua au deuxième mouvement, le Scherzo, tandis que Schumann composa le troisième mouvement, l'Intermezzo, et le Finale.  La contribution de Brahms témoigne à la fois de ses aspirations élevées et de la haute estime qu'il avait pour Joachim.  Elle commence par une envolée beethovanesque, se poursuit par un interlude lyrique et s'achève sur un sentiment de grandeur.  Le Scherzo a acquis un statut à part et a été l'une des premières œuvres de Brahms à être publiée.</span></p>
<p> </p>
<p style="text-align: justify;"><em><strong>~ENTRACTE~</strong></em></p>
<p> </p>
<p style="text-align: justify;"><b>Felix Mendelssohn (1809 - 1847)</b></p>
<p><em><span style="font-weight: 400;">Concerto pour violon, piano et cordes en ré mineur, MSV O 4 </span></em></p>
<p>i. Allegro<br>
ii. Adagio<br>
<span style="font-weight: 400;">iii. Allegro molto</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Felix Mendelssohn grandit à Berlin, dans un milieu très privilégié et stimulant. Son père était un riche banquier et membre du conseil municipal. Leur maison était le lieu de rencontre de personnalités politiques, intellectuelles et artistiques de premier plan. Felix lui-même était extraordinairement doué. Le poète et philosophe Goethe, qui avait entendu Mozart jouer lorsqu'il était enfant, trouvait Mendelssohn, âgé de huit ans, plus impressionnant.  Le jeune Felix avait une sœur aînée tout aussi douée, Fanny, qu'il adorait et dont il apprenait beaucoup.  Leur mère, Lea, organisait des salons musicaux dans la maison palatiale des Mendelssohn le dimanche matin, où Felix et Fanny se produisaient souvent.  (Parfois, Lea engageait un orchestre pour jouer les dernières compositions de ses enfants précoces. Fanny et Felix sont aussi prolifiques que précoces.  Par exemple, entre douze et quatorze ans, Felix compose treize symphonies pour cordes, suivant les modèles de Haydn, C. P. E. Bach et Mozart. Il a également produit un certain nombre de pièces de musique de chambre.  Sa première œuvre publiée, un quintette pour piano, paraît en 1822, alors qu'il a treize ans.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Le Concerto pour violon, piano et cordes en ré mineur a été créé lors d'un des salons du dimanche matin en mai 1823. Mendelssohn, alors âgé de quatorze ans, l'a écrit pour son professeur de violon, Eduard Rietz, qui participait fréquemment à ces salons.  Elle fut jouée deux fois ce printemps-là, puis le manuscrit disparut. Mendelssohn n'a pas pris la peine de faire publier son œuvre de jeunesse. La partition a été découverte après la Seconde Guerre mondiale à la Bibliothèque nationale de Berlin. L'Allegro initial commence par une introduction classique des cordes avant que le piano puis le violon n'entrent dans un thème plus lyrique. La gamme émotionnelle du mouvement s'étend d'une tristesse lyrique à une turbulence adolescente. Le deuxième mouvement Andante est la pièce maîtresse rayonnante du concerto, tandis que le Finale met un point final à une œuvre qui démontre à la fois le talent et l'enthousiasme de son créateur âgé de 14 ans.</span></p>
<p><em>Notes de programme de Larry Bent</em></p>
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<h4>À propos des artistes</h4>
<p> </p>
<p><b>À propos du Dior String Quartet</b></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Réuni depuis Israël, la Corée-Canada, Sainte-Lucie et les États-Unis, le Dior String Quartet est le quatuor en résidence à la Glenn Gould School du Conservatoire royal de musique de Toronto. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Lauréats du prix d'argent du concours de musique de chambre de Chesapeake 2021 et médaillés de bronze du concours national de musique de chambre Fischoff 2019, ils se sont formés à l'automne 2018 à la Jacobs School of Music de l'Université de l'Indiana sous la tutelle du Quatuor Pacifica. Ils ont étudié avec des membres des quatuors Alban Berg, St. Lawrence, Danish, Artemis, Ébene et Belcea. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Le Quatuor Dior a participé à divers programmes, dont le Britten-Pears Young Artists Program, le Banff String Quartet : Evolution en collaboration avec le Tippet Rise Art Center, l'Académie internationale du quatuor à cordes de McGill à Montréal et le SLSQ Seminar. Le Quatuor Dior a collaboré avec Orion Weiss et Victor Yampolsky lors de leur résidence au Wintegreen Music Festival, et avec le Rolston String Quartet, Axel Strauss et Stéphane Lemelin lors du Prince Edward County Chamber Music Festival 2021.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Le quatuor a fait ses débuts avec la Schneider Concert Series en janvier 2021 et a été quart de finaliste au Bartok World Competition à Budapest en 2021.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Le répertoire et les projets qu'ils poursuivent sont à la croisée de leurs origines multiculturelles et de leurs valeurs morales, car ils cherchent à explorer l'expérience des immigrants par le biais de l'art. Le quatuor tire son nom du mot français « D'or », qui signifie « or ». C'est un élément rare, élégant et malléable, précieux pour ceux qui le possèdent et souvent offert à leurs proches. Plus important encore, l'or conserve la mémoire de la terre et absorbe les histoires des personnes qui lui donnent forme.  </span></p>
<p> </p>
<p style="text-align: justify;"><b>Noa Sarid, violon</b></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Noa Sarid est une violoniste et chambriste israélienne. Elle est le premier violon et membre fondateur du Dior Quartet, lauréate du concours Elmaleh de la Concert Artist Guild en 2023, lauréate du prix d'argent du Chesapeake Chamber Music Competition (2021) et médaillée de bronze du 46e concours national de chambre Fischoff (2019). Encadré par le Quatuor Pacifica, le Quatuor Dior a également étudié avec des membres des quatuors Alban Berg, St. Lawrence, Danish, Artemis, Ébène et Belcea. Elle est titulaire d'une bourse Rebanks pour l'année 2023 au Conservatoire royal de musique. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Noa est lauréate de plusieurs bourses et prix, notamment de la Ronen Foundation et de la America-Israel Cultural Foundation (2004-2019), ainsi que du concours de l'ONU (deuxième prix, 2013). En tant que soliste, Noa a effectué des tournées en Israël et en Europe avec la Symphonette Ra'anana et l'Orchestre symphonique Thelma Yellin. Noa a participé au festival et à l'école de musique d'Aspen en tant que bénéficiaire d'une bourse complète. En tant que musicienne de chambre, Noa est une artiste de Naxos Records (2020) et quatre fois lauréate du concours de chambre de l'Académie de musique de Jérusalem (2015-2018).</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Noa s'est engagée à défendre la justice sociale par le biais de la musique. Elle a participé au festival international de musique de chambre Musethica en 2017, se produisant dans des hôpitaux, des refuges pour les survivants de la violence domestique, des prisons et des écoles pour enfants ayant des besoins spéciaux. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Noa est titulaire d'un master en interprétation du violon de l'école de musique Jacobs de l'Université de l'Indiana et d'une licence de l'Académie de musique et de danse de Jérusalem. Ses mentors au violon sont Simin Ganatra, Roi Shiloah et Nava Milo. Avec le Dior Quartet, Noa rejoindra la Glenn Gould School du Royal Conservatory de Toronto en tant que nouveau quatuor à cordes en résidence pour l'année académique 2021-2022. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Noa enseigne le violon à la Lane School of Music et encadre avec passion les étudiants en violon du programme Oscar Peterson au Conservatoire royal de musique de Toronto.</span></p>
<p> </p>
<p style="text-align: justify;"><b>Tobias Elser, violon </b></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Tobias Elser a commencé à étudier le violon à l'âge de 5 ans dans sa ville natale d'Ithaca, dans l'État de New York. Il a ensuite étudié avec Marilyn McDonald au conservatoire d'Oberlin pour obtenir sa licence. C'est alors qu'il était premier violon de l'Oberlin Chamber Orchestra qu'il s'est rendu compte qu'il avait une affinité pour la collaboration avec les orchestres de chambre et, depuis lors, il se consacre à l'art de la musique de chambre. Pendant ses études à Oberlin, il a également découvert l'émotion unique que peut procurer la musique contemporaine après avoir beaucoup travaillé avec Timothy Weiss. Après avoir obtenu son diplôme à Oberlin, Elser a alimenté cette nouvelle passion en jouant dans des ensembles de musique de chambre modernes réputés tels que l'International Contemporary Ensemble et le Slee Sinfonietta. Avant de rejoindre le Quatuor Dior, Elser a participé à de nombreux festivals de musique de chambre tels que le Bowdoin International Music Festival et le Madeline Island Chamber Music Festival, entre autres.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Elser a ensuite obtenu sa maîtrise de musique à l'Université d'Indiana, sous la direction de Kevork Mardirossian. C'est au cours de sa première année à l'Indiana qu'Elser et ses camarades de classe ont formé le Dior Quartet. Au cours de leurs études, le quatuor a reçu de nombreuses récompenses de la Jacobs School of Music, notamment la bourse Kuttner Quartet, la bourse Chamber Music Fellowship, ainsi que le premier prix du concours annuel Beethoven Haus Quartet Competition. Après avoir obtenu sa maîtrise en interprétation du violon, Elser a reçu un diplôme d'interprète en musique de chambre, également de l'Indiana.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Depuis l'automne 2021, le Dior Quartet occupe le poste de quatuor en résidence à la Glenn Gould School du Royal Conservatory of Music de Toronto. Elser joue sur un violon fabriqué par Jesse Maschmeyer en 2010. Lorsqu'il ne répète pas avec son quatuor ou ne donne pas de cours de violon, il aime improviser au piano et faire des randonnées.</span></p>
<p> </p>
<p style="text-align: justify;"><b>Caleb Georges, alto </b></p>
<p style="text-align: justify;"><span style="font-weight: 400;">L'altiste Caleb Georges est originaire de l'île de Sainte-Lucie. Élevé dans la petite ville de Babonneau, il a commencé son parcours musical à l'âge de 7 ans en jouant du piano à l'école de musique de Sainte-Lucie. Ce n'est qu'à l'âge de 13 ans qu'il commence à jouer de l'alto. Quelques années plus tard, il quitte son île natale pour poursuivre ses études musicales aux États-Unis.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Au cours de ses études universitaires, Caleb a obtenu une certaine reconnaissance lors de concours de solistes et de musique de chambre. En 2015, il a remporté le premier prix du concours de musique de chambre Douglas Wayland avec son groupe, Max Trio. Il a également remporté le premier prix au concours de musique de chambre Dale &amp; Nancy Briggs 2018 ainsi qu'au concours des jeunes musiciens de chambre WDAV 2019 avec son ancien groupe, le Ivalas Quartet. Plus tard dans l'année, il a été présenté en direct sur la chaîne Violin Channel ainsi que sur la télévision publique de Détroit lorsqu'il a remporté le troisième prix du concours Sphinx 2019 (division senior), en jouant en solo et en partageant la scène avec l'orchestre symphonique Sphinx dans l'Orchestra Hall de Détroit.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Chambriste passionné, Caleb s'est produit et a collaboré avec un certain nombre d'ensembles à travers l'Amérique du Nord. Il a rejoint l'ensemble de chambre à cordes sans chef d'orchestre Sphinx Virtuosi, composé de Noirs et de Latinx, qui a effectué une tournée à travers les États-Unis et s'est produit sur des scènes historiques telles que le Carnegie Hall et la Bibliothèque du Congrès. Caleb a également travaillé et joué avec des artistes tels que le Calidore String Quartet, Danielle Belen, David Ying, Axel Strauss, Stéphane Lemelin et Patricia Terry-Ross.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Caleb est titulaire d'un BM en interprétation de l'alto de la Bowling Green State University, sous la direction de Matthew Daline. Bénéficiaire de la bourse Sphinx, il a obtenu sa maîtrise à l'Université du Michigan, où il a étudié l'interprétation de l'alto et la musique de chambre sous la direction de Caroline Coade. Depuis qu'il a rejoint le Dior String Quartet, Caleb a bénéficié d'une bourse pour quatuor à cordes à l'Université de l'Indiana, où il a étudié avec Mark Holloway et le Quatuor Pacifica, lauréat de nombreux prix. Il est actuellement en résidence avec le Dior String Quartet à la Glenn Gould School du Royal Conservatory.</span></p>
<p> </p>
<p style="text-align: justify;"><b>Joanne Yesol Choi, violoncelle </b></p>
<p style="text-align: justify;"><span style="font-weight: 400;">La violoncelliste canadienne d'origine coréenne Joanne Yesol Choi est une chambriste passionnée, une enseignante et un membre fondateur du Quatuor Dior. L'ensemble est le quatuor en résidence à la Glenn Gould School du Royal Conservatory of Music. Il a été lauréat des concours de musique de chambre Fischoff, Chesapeake et Plowman, et a participé aux concours internationaux de quatuor à cordes de Banff et de Bartok. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Joanne s'est produite sur des scènes d'Amérique du Nord, du Royaume-Uni et d'Allemagne, notamment dans le cadre de la Banff Chamber Music Residency, du Robert Mann String Quartet Seminar à la MSM, du Ashkenazi/Kirshbaum Chamber Music Seminar à l'Institut Heifetz, du SLSQ Seminar à l'Université de Stanford, du Toronto Summer Music Festival, de la McGill International String Quartet Academy, de la Beethoven Haus Residency à Bonn et du Britten-Pears Program à Snape Maltings, où elle a bénéficié d'une bourse d'études complète. Le Quatuor Dior a fait ses débuts dans le cadre de la série de concerts Schneider en janvier 2021.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">En tant qu'enseignante, Joanne est actuellement coach et enseigne aux élèves de la Phil and Eli Taylor Academy, où elle a été boursière pendant 6 ans dans sa jeunesse. Elle est également instructrice à l'Oscar Peterson School of Music, un autre établissement du Conservatoire royal de musique. Elle a été l'une des membres du jury des Don Banks Music Awards de 2023. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Ayant grandi à Toronto, Joanne a été membre du Toronto Symphony Youth Orchestra et a effectué une tournée au Canada en tant qu'une des quatre violoncellistes principales tournantes de l'Orchestre national des jeunes du Canada en 2014 et a été sélectionnée comme soliste pour The Afar de Jordan Pal. Elle a également fréquenté l'école de musique de Meadowmount et le festival de musique d'Aspen. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Elle a participé à des ateliers de maître pour Mischa Maisky, Alisa Weilerstein, Colin Carr, Andres Diaz, Joseph Johnson, David Geber, Dennis Brott et Johanne Perron. Elle a collaboré avec Orion Weiss, Phillip Setzer, Andrew Wan, Art of Time Ensemble, Owen Dalby, Axel Strauss, Stephen Lemelin, Douglas McNabney et Eric Silberger dans le cadre de concerts de musique de chambre. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Joanne figure sur la liste des 30 musiciens canadiens de moins de 30 ans de la CBC pour 2023. Elle a obtenu son baccalauréat et sa maîtrise à l'école de musique Jacobs de l'Université de l'Indiana, où elle a étudié avec Eric Kim, Brandon Vamos et le Quatuor Pacifica. Joanne est retournée poursuivre ses études en tant que boursière du Rebanks Family Fellowship and International Performance Residency Program à l'automne 2021.</span></p>
<p> </p>
<p style="text-align: justify;"><b>Andrew Wan, violon</b></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Andrew Wan a été nommé violon solo de l'Orchestre symphonique de Montréal (OSM) en 2008. En tant que soliste, il s'est produit dans le monde entier sous la direction de chefs d'orchestre tels que Rafael Payare, Maxim Vengerov, Vasily Petrenko, Bernard Labadie, Carlo Rizzi, Peter Oundjian, Xian Zhang, Michael Stern et James DePreist, et a donné des récitals avec des artistes tels que le Quatuor Juilliard, Vadim Repin, Marc-André Hamelin, Daniil Trifonov, Menahem Pressler, Jörg Widmann, Emanuel Ax, James Ehnes et Gil Shaham. Sa discographie comprend des enregistrements nominés aux Grammy Awards et récompensés par des prix Juno, Felix et Opus sur les labels Onyx, Bridge et Naxos avec la Seattle Chamber Music Society, le Metropolis Ensemble de New York et le New Orford String Quartet. À l'automne 2015, il a publié un enregistrement en direct des trois concertos pour violon de Saint-Saëns avec l'OSM et Kent Nagano sous l'étiquette Analekta, qui a été largement salué par la critique. Son récent album live d'œuvres pour violon et orchestre de Bernstein, Moussa et Ginastera avec Nagano et l'OSM a remporté un prix Juno 2021 pour l'album classique de l'année - grand ensemble.  Il entretient une étroite collaboration avec Charles Richard-Hamelin, avec qui il a enregistré le cycle complet des sonates pour piano et violon de Beethoven. M. Wan est titulaire d'un baccalauréat en musique, d'une maîtrise en musique et d'un diplôme d'artiste de la Juilliard School. Il est actuellement directeur artistique du Prince Edward County Chamber Music Festival et, pour la saison 2017-18, il était partenaire artistique de l'Orchestre symphonique d'Edmonton. Professeur associé de violon à l'École de musique Schulich de l'Université McGill, il a été lauréat du Part-Time Teaching Award de l'École Schulich en 2019.Il a siégé en tant que violon solo invité pour les orchestres symphoniques de Pittsburgh, Houston, Indianapolis, du Centre national des arts, de Toronto et de Vancouver. Andrew Wan est le musicien en résidence des Cecilia Concerts pour 2024/25. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Il joue sur un violon Michel'Angelo Bergonzi de 1744, qu'il remercie pour son prêt de la collection David Sela.  Il utilise également un archet Dominique Peccatte de 1860 provenant de Canimex.</span></p>
<p> </p>
<p style="text-align: justify;"><b>Charles Richard-Hamelin, piano</b></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Lauréat de la médaille d’argent et du prix Krystian Zimerman lors du Concours international de piano Frédéric-Chopin à Varsovie en 2015, le pianiste Charles Richard-Hamelin se démarque aujourd’hui comme l’un des plus importants de sa génération. Récipiendaire de l’Ordre des arts et des lettres du Québec et du prestigieux </span><i><span style="font-weight: 400;">Career Development Award</span></i><span style="font-weight: 400;"> offert par le Women’s Musical Club of Toronto, il recevait en novembre 2022</span><b> </b><span style="font-weight: 400;">le prix Denise-Pelletier, la plus haute distinction décernée par le gouvernement du Québec en arts de la scène, devenant ainsi le plus jeune lauréat de l’histoire des Prix du Québec.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">Il a été l’invité de plusieurs grands festivals tels </span><i><span style="font-weight: 400;">La Roque d’Anthéron </span></i><span style="font-weight: 400;">et le </span><i><span style="font-weight: 400;">Festival Nohant</span></i><span style="font-weight: 400;"> en France, le Festival du </span><i><span style="font-weight: 400;">Printemps de Prague</span></i><span style="font-weight: 400;">, le Festival </span><i><span style="font-weight: 400;">Chopin et son Europe</span></i><span style="font-weight: 400;"> à Varsovie, le Festival de Lanaudière et le Festival George Enescu à Bucarest. En tant que soliste, il a pu se faire entendre avec plusieurs ensembles dont les principaux orchestres symphoniques canadiens (Montréal, Toronto, Ottawa, Métropolitain, Québec, Edmonton, Calgary, etc.) ainsi qu’avec l’Orchestre Philharmonique de Varsovie, Sinfonia Varsovia, le Tokyo Metropolitan Symphony Orchestra, l’Orchestre symphonique de Singapour, le Korean Symphony Orchestra, l’OFUNAM (Mexique), les Violons du Roy et I Musici de Montréal. Il a collaboré avec des chefs de grande renommée comme Kent Nagano, Rafael Payare, Bernard Labadie, Antoni Wit, Vasily Petrenko, Jacek Kaspszyk, Aziz Shokhakimov, Peter Oundjian, Jacques Lacombe, Fabien Gabel, Carlo Rizzi, John Storgårds, Alexander Prior, Giancarlo Guerrero, Christoph Campestrini, Lan Shui, Otto Tausk, Jean-Marie Zeitouni, Kazuki Yamada, Yannick Nézet-Séguin et Jonathan Cohen. Charles Richard-Hamelin est également actif comme chambriste. À ce titre, il s’est produit en concert avec, entre autres, Andrew Wan, James Ehnes, Marie-Nicole Lemieux, Marc-André Hamelin, le Quatuor Dover, le Nouveau Quatuor Orford, le Quatuor Apollon Musagète et le Quatuor Meccore. Diplômé de l’Université McGill, de la Yale School of Music et du Conservatoire de musique de Montréal, il a étudié auprès de Paul Surdulescu, Sara Laimon, Boris Berman, André Laplante et Jean Saulnier. </span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">On doit à Charles Richard-Hamelin onze albums, tous parus sous étiquette Analekta (Outhere Music). Quatre de ceux-ci sont consacrés principalement aux œuvres pour piano seul de Frédéric Chopin; on retrouve également quatre enregistrements avec Andrew Wan, violon solo à l’OSM. Charles Richard-Hamelin a aussi enregistré des œuvres concertantes : les deux concertos pour piano de Chopin, avec l’Orchestre symphonique de Montréal, sous la direction de Kent Nagano, et les Concertos pour piano nos 22 et 24 de Mozart, avec les Violons du Roy, sous la direction de Jonathan Cohen. Six prix Félix (ADISQ) et un JUNO (2022) ont salué la qualité de ces albums, qui ont reçu l’accueil enthousiaste des critiques musicaux à travers le monde.</span></p>
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<p style="text-align: justify;"><span style="color: #000000;">For nearly forty years, Cecilia Concerts has been a cornerstone of cultural life in Halifax, Nova Scotia. We present chamber music of the highest calibre in settings that are welcoming, bilingual, and accessible. We believe that live music has the power to connect, to uplift, and to transform, and we strive to make those experiences available to everyone in our community. We bring some of the world’s most acclaimed classical musicians to the province, making global excellence accessible to local audiences.</span></p>
<p style="text-align: justify;"><span style="color: #000000;">Halifax is located in Mi’kma’ki, the ancestral and unceded territory of the Mi’kmaq people. The Mi’kmaw First Nation has lived on this land for millennia, and we acknowledge them as the past, present, and future caretakers of these lands and waterways. As we work to build a more inclusive and respectful community, we are reminded that we are all Treaty People.</span></p>
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<h6 style="text-align: center;"><span style="color: #ffffff;">© 2025 Cecilia Concerts Society</span></h6>
<h6 style="text-align: center;"><span style="color: #ffffff;">6199 Chebucto Road | K'jipuktuk Mi’kma’ki | Halifax, Nova Scotia B3L 1K7</span></h6>
<h6 style="text-align: center;"><span style="color: #ffffff;"><a style="color: #ffffff;" href="/cdn-cgi/l/email-protection#3e534b4d575d7e5d5b5d5752575f5d51505d5b4c4a4d105d5f"><span class="__cf_email__" data-cfemail="325f47415b51725157515b5e5b53515d5c51574046411c5153">[email&#160;protected]</span></a></span></h6>
<h6 style="text-align: center;"><span style="color: #ffffff;">902 423 0143</span></h6>
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<script id="mcjs">!function(c,h,i,m,p){m=c.createElement(h),p=c.getElementsByTagName(h)[0],m.async=1,m.src=i,p.parentNode.insertBefore(m,p)}(document,"script","https://chimpstatic.com/mcjs-connected/js/users/cacdb5cea8c3d756e10206eef/2d514618a5c323abf30d64eb6.js");</script><script type="application/ld+json">{"@context":"https:\/\/schema.org\/","@type":"Product","@id":"https:\/\/www.ceciliaconcerts.ca\/concert\/violinist-andrew-wan-and-pianist-charles-richard-hamelin-with-the-dior-quartet\/#product","name":"Violinist Andrew Wan and Pianist Charles Richard-Hamelin with the Dior Quartet","url":"https:\/\/www.ceciliaconcerts.ca\/concert\/violinist-andrew-wan-and-pianist-charles-richard-hamelin-with-the-dior-quartet\/","description":"ABOUT-EN\nPROGRAM-EN\n\u00c0 PROPOS-FR\nPROGRAMME-FR \nViolinist Andrew Wan and Pianist Charles Richard-Hamelin with the Dior Quartet\n\n\n\t\t\t\n\t\t\t\tFRIDAY, FEBRUARY 7, 2025\n\t\t\t\n\t\t\t\t7:30PM\n\t\t\t\n\t\t\t\t$18.00-$42.00\/GENERAL SEATING\n\n\t\t\t\n\t\t\t\tELECTRONIC TICKETS\n\t\t\t\n\t\t\t\tSTAGE AT ST. ANDREWS \u2022 6036 COBURG RD\n\t\t\t\n\t\t\t\tK'JIPUKTUK\/HALIFAX \u2022 MI\u2019KMA\u2019KI\/NOVA SCOTIA\n\t\t\t\n\t\t\t\tWHEELCHAIR ACCESSIBLE\n\t\t\t\n\t\t\t\tMAIN STAGE CONCERTS SERIES\n\n\nAbout this Concert\nARTISTS: Andrew Wan, violin; Noa Sarid, violin; Tobias Elser, violin; Caleb Georges, viola; Joanne Yesol Choi, cello; Charles Richard-Hamelin, piano\nCOMPOSERS: Brahms, Mendelssohn, and Schubert\nJoin violinist Andrew Wan, pianist Charles Richard-Hamelin, and the celebrated Dior Quartet for an evening that defies convention, weaving together the expressive beauty of Romantic music. Schubert\u2019s \"String Quartet No. 12 in C minor, D. 703 'Quartettsatz'\" grips the listener with its sudden intensity, while Brahms\u2019 \"Violin Sonata No. 3 in D minor, Op. 108\" explores the most profound corners of passion and introspection. The playful energy of Brahms\u2019 \"Sonatensatz Scherzo in C minor\" injects bursts of rhythmic brilliance into the mix, juxtaposed against Mendelssohn\u2019s \"Concerto for Violin, Piano, and Strings in D minor, MWV O 4,\" where virtuosic flourishes and lyrical conversations soar. Each work reveals a different facet of Romanticism, drawing you into a complex web of emotion, drama, and beauty, where no moment is predictable and every note captivates. Presented with the generous support of Musician-in-Residence Presenting Partner \u2013 Lang Optometry and Eyewear. Season Sponsor: Jules Chamberlain \/ Red Door Realty.\n\n\n\nAbout this Program\n\u00a0\n\nFranz Schubert (1797 \u2013 1828)\n\nString Quartet No. 12 in C minor, D. 703 \u201cQuartettsatz\u201d\nFranz Schubert wrote his first string quartets as a child for performance by his family. His father, a school master in a Vienna suburb, played cello, his older brothers Ignaz and Ferdinand played violins and young Franz played viola. Franz also learned to play piano and organ. He had a beautiful singing voice which led to his attending the Imperial Seminary through a choir scholarship and to his discovery by Antonio Salieri, Vienna\u2019s most prominent and influential musician. Schubert studied composition with Salieri for a number of years. After completing a teacher training program at the age of seventeen, he began teaching at his father\u2019s school. He also continued composing and performing music. In the end, music won out. Schubert\u2019s compositions were beginning to be performed in the salons and concert halls of Vienna, so in 1818, he left his teaching position and with the encouragement and support of some well-to-do friends, he launched himself on a career in music.\nIn December of 1820, Schubert began work on a string quartet, the first he had attempted since his late teens. He completed the first movement (Allegro assai) and about forty bars of exposition for a second movement (Andante). Then, for reasons unknown, he put the piece aside, possibly intending to come back to it later. He never did. The manuscript was found some years after his death and edited by Johannes Brahms, who had it published in 1870, more than forty years after Schubert\u2019s death. This Quartettsatz (\u201cQuartet movement\u201d) marks a new stage in the composer\u2019s maturity. As music critic Kai Christiansen notes: \u201cSchubert reveals the full technical and dramatic means of his mature style with his signature contrasts between dark, impetuous agitation and ineffably sublime lyricism.\u201d\n\n\u00a0\nJohannes Brahms (1833 \u2013 1897)\nViolin Sonata No. 3 in D minor, Op. 108\ni. Allegro\nii. Adagio\niii. Un poco presto e con sentimento\niv. Presto agitato\n\nBy the late 1870s, Brahms was recognized as a major figure in the world of music.\u00a0 Honours came streaming his way. He was awarded honorary degrees by the University of Breslau and Cambridge University; he was awarded the Maximilian Order for Science and Art by King Ludwig of Bavaria\u00a0 and the Order of the House of Meiningen by Duke George of Meiningen; and he was made an honorary citizen of Hamburg, the city of his birth. Although painstaking in his craftsmanship, he continued to produce a substantial body of work between 1873 and 1888, including three symphonies, two orchestral overtures, several dozen songs, two sets of Hungarian dances, a mountain of piano music, and three violin sonatas. He had over fifty works published during this period.\nBrahms began his third Violin Sonata in 1886. He completed it in 1888 and it was premiered in Budapest with Hungarian virtuoso Jeno Hubay playing violin and Brahms himself at the piano. The first movement is in the traditional sonata-allegro form with an exposition, a development section and a recapitulation. There are two contrasting subjects linked together by interludes of melodic fragments and an intricate interplay of the two instruments. The second movement is a cavatina, a simple melodious air in the violin with the piano as accompanist.\u00a0 The third movement begins with the piano taking centre stage before the violin enters to resume the intricate interplay of the two instruments. The final movement features a lively, agitated tarentella. This is Brahms at the height of his powers creating music of great urgency, strength, and emotional intensity.\u00a0\n\n\u00a0\nJohannes Brahms (1833 \u2013 1897)\nSonatensatz Scherzo in c minor\nBrahms career as a musician began in earnest when, as a seventeen year old, he began to tour as the accompanist to the Hungarian violin virtuoso, Ede Remenyi.\u00a0 Remenyi introduced him to the music of his native Hungary, which was to have a great influence on Brahms as a composer. Remenyi also introduced him to another violin virtuoso, Joseph Joachim. Joachim, although only two years older than Brahms, was already a star performer. Brahms admired him not only as a fine violinist, but as a fellow composer. Shortly after they met, Brahms played some of his own piano compositions for him. Joachim remarked some years later, \"Never in the course of my artist's life have I been more completely overwhelmed\".\u00a0 The two men became lifelong friends. In fact, it was through Joachim that Brahms became associated with Robert and Clara Schumann who were to have a major influence in his life.\nIt was while visiting the Schumanns in Dusseldorf in 1853 that Brahms wrote the Sonatensatz Scherzo.\u00a0 Robert Schumann had conceived of the idea of writing a sonata for violin and piano to welcome Joachim to Dusseldorf. He invited his student Albert Dietrich to compose the opening movement, Brahms contributed the second movement Scherzo, while Schumann composed the third movement Intermezzo and the Finale.\u00a0 Brahms\u2019 contribution showed both his soaring aspirations and his high regard for Joachim.\u00a0 It begins with a Beethovanesque flourish, moves on to a lyric interlude and ends with a sense of grandeur.\u00a0 The Scherzo has achieved a stand alone status and was one of the first of Brahms\u2019 works to be published.\n\n\u00a0\n~INTERMISSION~\n\n\u00a0\nFelix Mendelssohn (1809 \u2013 1847)\nConcerto for Violin, Piano, and Strings in D minor, MWV O 4\ni. Allegro\nii. Adagio\niii. Allegro molto\n\nFelix Mendelssohn grew up in Berlin, in highly privileged and stimulating circumstances. His father was a wealthy banker and member of the city council. Their home was a gathering place for leading political, intellectual and artistic figures. Felix himself was extraordinarily gifted. The poet and philosopher Goethe, who had heard Mozart play as a child, found the eight year old Mendelssohn more impressive.\u00a0 Young Felix also had an equally gifted older sister, Fanny, whom he adored and from whom he learned.\u00a0 Their mother, Lea,\u00a0 organized musical salons held at the Mendelssohn\u2019s palatial home on Sunday mornings where Felix and Fanny often performed.\u00a0 (Felix made his debut at one of these salons at age nine.) Sometimes Lea would hire an orchestra to play her precocious children\u2019s latest compositions. Both Fanny and Felix were as prolific as they were precocious.\u00a0 For example, between the ages of twelve and fourteen, Felix composed thirteen string symphonies, following the models of Haydn, C. P. E. Bach, and Mozart. He also produced a number of pieces of chamber music.\u00a0 His first published piece, a piano quintet, appeared in 1822, when he was thirteen.\nThe Concerto for Violin, Piano, and Strings in D minor was premiered at one of the Sunday morning salons in May of 1823. The fourteen year old Mendelssohn wrote it for his violin teacher, Eduard Rietz, who was a frequent participant at these salons.\u00a0 It was played twice that spring, then the manuscript disappeared. Mendelssohn did not bother to have his juvenile work published. The score was discovered after World War II in the Berlin State Library. The opening Allegro begins with a Classical introduction by the strings before the piano and then the violin enter to engage in a more lyrical theme. The movement\u2019s emotional range runs from a lyrical tristesse to an adolescent rambunctiousness. The Andante second movement is the Concerto\u2019s radiant centerpiece, while the Finale sets the seal on a piece that demonstrates both the skill and the enthusiasm of its 14-year-old creator.\u00a0\n\nProgram notes by Larry Bent\n\n\nAbout the Artists\n\u00a0\n\nAbout the Dior String Quartet\nJoined together from Israel, Korea-Canada, Saint Lucia, and the USA, the Dior String Quartet is the Quartet-in-Residence at the Glenn Gould School, Royal Conservatory of Music in Toronto.\u00a0\nSilver prize winners of the 2021 Chesapeake Chamber Music Competition and Bronze Medalists of the 2019 Fischoff National Chamber Music Competition, they formed in Fall 2018 at the Jacobs School of Music, Indiana University under the tutelage of Pacifica Quartet. They studied with members of the Alban Berg, St. Lawrence, Danish, Artemis, \u00c9bene, and Belcea Quartets.\u00a0\nThe Dior Quartet participated in various programs, including the Britten-Pears Young Artists Program, Banff String Quartet: Evolution in collaboration with Tippet Rise Art Center, McGill International String Quartet Academy in Montreal, and the SLSQ Seminar. The Dior Quartet collaborated with Orion Weiss and Victor Yampolsky during their residency at Wintegreen Music Festival, and with Rolston String Quartet, Axel Strauss, and St\u00e9phane Lemelin at the 2021 Prince Edward County Chamber Music Festival.\nThe quartet made their debut with the Schneider Concert Series In January 2021 and were quarter-finalists in the 2021 Bartok World Competition in Budapest.\nThe repertoire and projects they pursue intersect with their multicultural backgrounds and moral values, as they seek to explore the immigrant experience through art. The quartet takes their name from the French word \u201cD\u2019or\u201d which means gold. It's a rare, elegant, and malleable element, precious to those who own it and often gifted to loved ones. Most importantly, gold holds the memory of the earth and absorbs the stories of the people who give it shape and form. \u00a0\n\n\u00a0\nNoa Sarid, violin\nNoa Sarid is an Israeli violinist and chamber musician. She is the first violinist and founding member of the Dior Quartet, winner of the 2023 Concert Artist Guild Elmaleh Competition, silver prize winner of the Chesapeake Chamber Music Competition (2021) and bronze medalist of the 46th Fischoff National Chamber Competition (2019). Coached by the Pacifica Quartet, the Dior Quartet also studied with members of the Alban Berg, St. Lawrence, Danish, Artemis, \u00c9b\u00e8ne, and Belcea Quartets. She is a 2023 Rebanks Fellow at the Royal Conservatory of Music.\u00a0\nNoa is the recipient of various scholarships and awards, such as the Ronen Foundation and the America-Israel Cultural Foundation (2004-2019) and the UNO Competition (Second prize, 2013). As a soloist, Noa toured in Israel and Europe with The Symphonette Ra\u2019anana and The Thelma Yellin Symphony Orchestras. Noa participated in The Aspen Music Festival and School as a full scholarship recipient. As a chamber musician, Noa is a Naxos Records artist (2020) and a four-time winner of the Jerusalem Academy of Music Chamber Competition (2015-2018).\nNoa is committed to advocating social justice through music. She took part in the Musethica International Chamber Music Festival in 2017, performing in hospitals, shelters for survivors of domestic violence, prisons, and schools for children with special needs.\u00a0\nNoa holds a master\u2019s degree in Violin Performance from Indiana University\u2019s Jacobs School of Music and a bachelor\u2019s degree from The Jerusalem Academy of Music and Dance. Noa\u2019s violin mentors include Simin Ganatra, Roi Shiloah, and Nava Milo. With the Dior Quartet, Noa will joined The Glenn Gould School of The Royal Conservatory in Toronto as the new String Quartet-in-residence for the 2021-2022 academic year.\u00a0\nNoa teaches violin at the Lane School of Music, and passionately mentors violin students at the Oscar Peterson Program at the Royal Conservatory of Music, Toronto.\n\n\u00a0\nTobias Elser, violin\u00a0\nTobias Elser began his violin studies at the age of 5 in his hometown of Ithaca, NY. He then went on to study with Marilyn McDonald at Oberlin Conservatory for his Bachelor\u2019s degree. It was while he was concertmaster of the Oberlin Chamber Orchestra that he realized he had an affinity for chamber collaboration and since then he has devoted his musical focus to the art of chamber music. While attending Oberlin he also discovered the unique thrill that contemporary music can offer after having worked extensively with Timothy Weiss. After graduating from Oberlin, Elser fueled this newly found passion by playing in esteemed modern chamber music ensembles such as the International Contemporary Ensemble, and the Slee Sinfonietta. Prior to joining the Dior Quartet, Elser attended numerous chamber music festivals such as the Bowdoin International Music Festival and the Madeline Island Chamber Music Festival, among others.\nElser then went on to receive his Master\u2019s of Music Degree from Indiana University, under the violin instruction of Kevork Mardirossian. It was during his first year at Indiana that Elser and his classmates formed the Dior Quartet. During their studies, the quartet received many awards from the Jacobs School of Music including the Kuttner Quartet Scholarship, the Chamber Music Fellowship position, as well as 1st prize at the annual Beethoven Haus Quartet Competition. After completing his Master\u2019s in Violin Performance, Elser went on to receive a Performer\u2019s Diploma in Chamber Music, also from Indiana.\nSince the Fall of 2021 the Dior Quartet has held the position of Quartet in Residence at the Glenn Gould School at the Royal Conservatory of Music in Toronto. Elser plays on a violin crafted by Jesse Maschmeyer in 2010. When he\u2019s not rehearsing with his quartet or teaching violin lessons, he enjoys improvising on piano, and going on hikes.\n\n\u00a0\nCaleb Georges, viola\u00a0\nViolist Caleb Georges, comes from the island of St. Lucia. Raised in the small town of Babonneau, he began his musical journey at the age of 7 on piano at the St. Lucia School of Music. It wasn\u2019t until the age of 13 did he start to pick up the viola. A few years later, he left his island home to pursue his studies in music in the US.\nDuring his studies at university, Caleb gained some recognition from solo and chamber competitions. In 2015 he won first prize at the 2015 Douglas Wayland Chamber Music Competition with his group, Max Trio. He was also a\u00a0 first prize winner at the 2018 Dale &amp;amp; Nancy Briggs Chamber Music Competition as well as the 2019 WDAV Young Chamber Musicians Competition with his former group the Ivalas Quartet. Later that year he was featured live on the Violin Channel as well as Detroit public television when he won the third prize in the 2019 senior division Sphinx Competition, soloing and sharing the stage with the Sphinx Symphony Orchestra in Detroit\u2019s very own Orchestra Hall.\nAs an avid chamber player, Caleb has performed and collaborated with a number of ensembles across North America. He joined the Black and LatinX conductor-less string chamber ensemble, Sphinx Virtuosi, who toured across the US performing on historic stages such as Carnegie Hall and the Library of Congress. Caleb has also worked and performed with artists such as the Calidore String Quartet, Danielle Belen, David Ying, Axel Strauss, St\u00e9phane Lemelin and Patricia Terry-Ross.\nCaleb holds a BM in Viola performance from Bowling Green State University under Matthew Daline. A recipient of the Sphinx full tuition award, Caleb received his masters at the University of Michigan studying both Viola Performance and Chamber Music under the tutelage of Caroline Coade. Since joining the Dior String Quartet, Caleb attended Indiana University as a string quartet fellowship recipient studying with Mark Holloway and the award winning Pacifica Quartet. He is currently at residence with the Dior String Quartet at the Glenn Gould School of the Royal Conservatory.\n\n\u00a0\nJoanne Yesol Choi, cello\u00a0\nKorean-Canadian cellist Joanne Yesol Choi, is an avid chamber musician, teacher, and founding member of the Dior Quartet. The ensemble is the Quartet-in-Residence at the Glenn Gould School at the Royal Conservatory of Music. They have been prize winners of the Fischoff, Chesapeake, and Plowman Chamber Music Competitions, and have competed in the Banff and Bartok International String Quartet Competitions.\nJoanne has performed on stages across North America, the U.K, and Germany such as the Banff Chamber Music Residency, Robert Mann String Quartet Seminar at MSM, the Ashkenazi\/Kirshbaum Chamber Music Seminar at the Heifetz Institute, SLSQ Seminar at Stanford University, Toronto Summer Music Festival, McGill International String Quartet Academy, Beethoven Haus Residency in Bonn, and the Britten-Pears Program at Snape Maltings with full scholarships. The Dior Quartet made their debut with the Schneider Concert Series in January 2021.\nAs a teacher, Joanne currently coaches and teaches students at the Phil and Eli Taylor Academy, where she was a scholarship student for 6 years during her youth. She is also an Instructor at the Oscar Peterson School of Music, another institution at the Royal Conservatory of Music. She was one of the adjudicators for the 2023 Don Banks Music Awards.\nGrowing up in Toronto, Joanne was a member of the Toronto Symphony Youth Orchestra and toured Canada as one of the four rotating Principal Cellists of the National Youth Orchestra of Canada in 2014 and was selected as the soloist for Jordan Pal\u2019s The Afar. She has also attended the Meadowmount School of Music and the Aspen Music Festival.\u00a0\nShe has performed in masterclasses for Mischa Maisky, Alisa Weilerstein, Colin Carr, Andres Diaz, Joseph Johnson, David Geber, Dennis Brott, and Johanne Perron. She has collaborated with Orion Weiss, Phillip Setzer, Andrew Wan, Art of Time Ensemble, Owen Dalby, Axel Strauss, Stephen Lemelin, Douglas McNabney and Eric Silberger in chamber music concert settings.\nJoanne was included in the 2023 CBC 30 Under 30 Canadian Musicians List. She completed her Bachelors and Masters at Indiana University, Jacobs School of Music and studied with Eric Kim, Brandon Vamos, and the Pacifica Quartet. Joanne returned to continue her studies as a Fellow in the Rebanks Family Fellowship and International Performance Residency Program in Fall 2021.\n\n\u00a0\nAndrew Wan, violin\nAndrew Wan was named concertmaster of the Orchestre symphonique de Montr\u00e9al (OSM) in 2008. As soloist, he has performed worldwide under conductors such as Rafael Payare, Maxim Vengerov, Vasily Petrenko, Bernard Labadie, Carlo Rizzi, Peter Oundjian, Xian Zhang, Michael Stern and James DePreist, and has appeared in recitals with artists such as the Juilliard Quartet, Vadim Repin, Marc-Andr\u00e9 Hamelin, Daniil Trifonov, Menahem Pressler, J\u00f6rg Widmann, Emanuel Ax, James Ehnes, and Gil Shaham. His discography includes Grammy-nominated and Juno, Felix and Opus award-winning releases on the Onyx, Bridge, and Naxos labels with the Seattle Chamber Music Society, New York\u2019s Metropolis Ensemble, and the New Orford String Quartet. In the fall of 2015, he released a live recording of all three Saint-Sa\u00ebns violin concerti with the OSM and Kent Nagano under the Analekta label to wide critical acclaim. His recent live album of works for violin and orchestra by Bernstein, Moussa and Ginastera with Nagano and the OSM won a 2021 Juno award for Classical Album of the Year \u2013 Large Ensemble.\u00a0 He enjoys a close collaborative relationship with Charles Richard-Hamelin, with whom he has recorded the entire Beethoven piano and violin sonata cycle. Mr. Wan graduated from The Juilliard School with a Bachelor of Music, Master of Music and Artist Diploma degrees, is currently Artistic Director of the Prince Edward County Chamber Music Festival and for the 2017-18 season was Artistic Partner of the Edmonton Symphony Orchestra. Associate Professor of Violin at the Schulich School of Music at McGill University, he was the recipient of the Part-Time Teaching Award at the Schulich School in 2019.He has sat as guest concertmaster for the Pittsburgh, Houston, Indianapolis, National Arts Centre, Toronto and Vancouver Symphony orchestras. Andrew Wan is the Cecilia Concerts 2024\/25 Musician-in-Residence.\u00a0\nAndrew performs on a 1744 Michel'Angelo Bergonzi violin, and gratefully acknowledges its loan from the David Sela Collection.\u00a0 He also enjoys the use of an 1860 Dominique Peccatte bow from Canimex.\n\n\u00a0\nCharles Richard-Hamelin, piano\nSilver medalist and winner of the Krystian Zimerman Prize at the 2015 International Chopin Piano Competition, pianist\u00a0Charles Richard-Hamelin\u00a0has emerged as one of the most important pianists of his generation. Recipient of the Ordre des arts et des lettres du Qu\u00e9bec and of the prestigious\u00a0Career Development Award\u00a0conferred by the Women\u2019s Musical Club of Toronto, he was awarded the\u00a0Prix Denise-Pelletier\u00a0in November 2022, becoming the youngest recipient in the history of the Prix du Qu\u00e9bec.\nHe has been invited to many major festivals such as\u00a0La Roque d\u2019Anth\u00e9ron\u00a0and the\u00a0Nohant Festival in France, the Prague Spring Festival, the Chopin and his Europe\u00a0Festival in Warsaw, the Lanaudi\u00e8re Festival and the George Enescu Festival in Bucarest. As a soloist, he has performed with many ensembles including the major Canadian symphony orchestras (Montreal, Toronto, Ottawa, Metropolitan, Quebec City, Edmonton, Calgary, etc.) as well as the Warsaw Philharmonic Orchestra, Sinfonia Varsovia, Tokyo Metropolitan Symphony Orchestra, Singapore Symphony Orchestra, Korean Symphony Orchestra, OFUNAM (Mexico), Les Violons du Roy and I Musici de Montr\u00e9al. He has worked with such renowned conductors as Kent Nagano, Rafael Payare, Bernard Labadie, Antoni Wit, Vasily Petrenko, Jacek Kaspszyk, Aziz Shokhakimov, Peter Oundjian, Jacques Lacombe, Fabien Gabel, Carlo Rizzi, John Storg\u00e5rds, Alexander Prior, Giancarlo Guerrero, Christoph Campestrini, Lan Shui, Otto Tausk, Jean-Marie Zeitouni, Kazuki Yamada, Yannick N\u00e9zet-S\u00e9guin and Jonathan Cohen. Charles Richard-Hamelin is also active as a chamber musician. He has performed with Andrew Wan, James Ehnes, Marie-Nicole Lemieux, Marc-Andr\u00e9 Hamelin, the Dover Quartet, the New Orford Quartet, the Apollon Musag\u00e8te Quartet and the Meccore Quartet, among others. A graduate of McGill University, the Yale School of Music and the Conservatoire de musique de Montr\u00e9al, he studied with Paul Surdulescu, Sara Laimon, Boris Berman, Andr\u00e9 Laplante and Jean Saulnier.\nCharles Richard-Hamelin has recorded eleven albums, all released on the Analekta label (Outhere Music). Five of these are dedicated primarily to the solo piano works of Fr\u00e9d\u00e9ric Chopin; there are also four recordings with Andrew Wan, concertmaster of the OSM. He has also recorded concertante works: both Chopin piano concertos with the Orchestre symphonique de Montr\u00e9al, conducted by Kent Nagano, and Mozart\u2019s Piano Concertos nos. 22 and 24 with Les Violons du Roy, conducted by Jonathan Cohen. Six F\u00e9lix awards (ADISQ) and a JUNO in 2022 saluted the quality of these albums, which have been received widespread acclaim from critics around the world.\n\n\n\nLe violoniste Andrew Wan et le pianiste Charles Richard-Hamelin avec le Quatuor Dior\n\n\n\t\t\t\n\t\t\t\tVENDREDI 7 F\u00c9VRIER 2025\n\t\t\t\n\t\t\t\t19h30\n\t\t\t\n\t\t\t\t18,00 $ - 42,00 $\/PLACES ASSISES\n\n\t\t\t\n\t\t\t\tBILLETS \u00c9LECTRONIQUES\n\t\t\t\n\t\t\t\tSTAGE AT ST. ANDREWS \u2022 6036 COBURG RD\n\t\t\t\n\t\t\t\tK\u2019JIPUKTUK\/HALIFAX - MI\u2019KMA\u2019KI\/NOUVELLE-\u00c9COSSE\n\t\t\t\n\t\t\t\tACCESSIBLE EN FAUTEUIL ROULANT\n\t\t\t\n\t\t\t\tS\u00c9RIE DE CONCERTS SUR LA SC\u00c8NE PRINCIPALE\n\n\n\n\u00c0 propos de ce concert\nARTISTES : Andrew Wan, violon ; Noa Sarid, violon ; Tobias Elser, violon ; Caleb Georges, alto ; Joanne Yesol Choi, violoncelle ; Charles Richard-Hamelin, piano\nCOMPOSITEURS : Brahms, Mendelssohn et Schubert\nRejoignez le violoniste Andrew Wan, le pianiste Charles Richard-Hamelin et le c\u00e9l\u00e8bre Quatuor Dior pour une soir\u00e9e qui d\u00e9fie les conventions, en tissant ensemble la beaut\u00e9 expressive de la musique romantique. Le \u00ab Quatuor \u00e0 cordes no 12 en do mineur, D. 703 \u201cQuartettsatz\u201d \u00bb de Schubert saisit l'auditeur par son intensit\u00e9 soudaine, tandis que la \u00ab Sonate pour violon no 3 en r\u00e9 mineur, op. 108 \u00bb de Brahms explore les recoins les plus profonds de la passion et de l'introspection. L'\u00e9nergie ludique du \u00ab Sonatensatz Scherzo en do mineur \u00bb de Brahms injecte des \u00e9clats de brillance rythmique dans le m\u00e9lange, juxtapos\u00e9 au \u00ab Concerto pour violon, piano et cordes en r\u00e9 mineur, MSV O 4 \u00bb de Mendelssohn, o\u00f9 s'\u00e9panouissent virtuosit\u00e9 et conversations lyriques. Chaque \u0153uvre r\u00e9v\u00e8le une facette diff\u00e9rente du romantisme, vous entra\u00eenant dans un r\u00e9seau complexe d'\u00e9motions, de drame et de beaut\u00e9, o\u00f9 aucun moment n'est pr\u00e9visible et o\u00f9 chaque note est captivante. Pr\u00e9sent\u00e9 avec le g\u00e9n\u00e9reux soutien de Lang Optometry and Eyewear, partenaire de pr\u00e9sentation du musicien en r\u00e9sidence. Commanditaire de la saison : Jules Chamberlain \/ Red Door Realty.\n\n\n\n\u00c0 propos du programme\n\u00a0\n\nFranz Schubert (1797 - 1828)\n\nQuatuor \u00e0 cordes no 12 en do mineur, D. 703 \u00ab Quartettsatz \u00bb\nFranz Schubert a \u00e9crit ses premiers quatuors \u00e0 cordes alors qu'il \u00e9tait enfant, pour qu'ils soient jou\u00e9s par sa famille. Son p\u00e8re, ma\u00eetre d'\u00e9cole dans un faubourg de Vienne, jouait du violoncelle, ses fr\u00e8res a\u00een\u00e9s Ignaz et Ferdinand jouaient du violon et le jeune Franz de l'alto. Franz apprend \u00e9galement \u00e0 jouer du piano et de l'orgue.\u00a0 Il avait une belle voix chant\u00e9e, ce qui lui permit de fr\u00e9quenter le s\u00e9minaire imp\u00e9rial gr\u00e2ce \u00e0 une bourse de chorale et d'\u00eatre d\u00e9couvert par Antonio Salieri, le musicien le plus en vue et le plus influent de Vienne.\u00a0 Schubert \u00e9tudie la composition avec Salieri pendant plusieurs ann\u00e9es.\u00a0 Apr\u00e8s avoir suivi un programme de formation \u00e0 l'enseignement \u00e0 l'\u00e2ge de dix-sept ans, il commence \u00e0 enseigner dans l'\u00e9cole de son p\u00e8re. Il continue \u00e9galement \u00e0 composer et \u00e0 jouer de la musique. Finalement, c'est la musique qui l'emporte.\u00a0 Les compositions de Schubert commencent \u00e0 \u00eatre jou\u00e9es dans les salons et les salles de concert de Vienne. En 1818, il quitte donc son poste d'enseignant et, avec les encouragements et le soutien de quelques amis fortun\u00e9s, il se lance dans une carri\u00e8re musicale.\u00a0\nEn d\u00e9cembre 1820, Schubert commence \u00e0 travailler sur un quatuor \u00e0 cordes, le premier qu'il ait tent\u00e9 depuis la fin de son adolescence. Il ach\u00e8ve le premier mouvement (Allegro assai) et une quarantaine de mesures d'exposition pour un deuxi\u00e8me mouvement (Andante). Puis, pour des raisons inconnues, il a mis l'\u0153uvre de c\u00f4t\u00e9, peut-\u00eatre dans l'intention d'y revenir plus tard.\u00a0 Il ne l'a jamais fait. Le manuscrit fut retrouv\u00e9 quelques ann\u00e9es apr\u00e8s sa mort et \u00e9dit\u00e9 par Johannes Brahms, qui le fit publier en 1870, plus de quarante ans apr\u00e8s la mort de Schubert. Ce Quartettsatz (\u00ab mouvement de quatuor \u00bb) marque une nouvelle \u00e9tape dans la maturit\u00e9 du compositeur.\u00a0 Comme le note le critique musical Kai Christiansen : \u00ab Schubert r\u00e9v\u00e8le tous les moyens techniques et dramatiques de son style mature avec ses contrastes caract\u00e9ristiques entre une agitation sombre et imp\u00e9tueuse et un lyrisme ineffablement sublime. \u00bb\u00a0\n\n\u00a0\nJohannes Brahms (1833 - 1897)\nSonate pour violon no 3 en r\u00e9 mineur, opus 108\ni. Allegro\nii. Adagio\niii. Un poco presto e con sentimento\niv. Presto agitato\n\n\u00c0 la fin des ann\u00e9es 1870, Brahms est reconnu comme une figure majeure du monde de la musique.\u00a0 Les honneurs affluent. L'universit\u00e9 de Breslau et l'universit\u00e9 de Cambridge lui d\u00e9cernent des dipl\u00f4mes honorifiques ; le roi Louis de Bavi\u00e8re lui remet l'ordre Maximilien pour la science et l'art et le duc Georges de Meiningen l'ordre de la Maison de Meiningen ; il est fait citoyen d'honneur de Hambourg, sa ville natale. Bien que son travail soit minutieux, il continue \u00e0 produire une \u0153uvre substantielle entre 1873 et 1888, dont trois symphonies, deux ouvertures orchestrales, plusieurs dizaines de chansons, deux ensembles de danses hongroises, une montagne de musique pour piano et trois sonates pour violon. Il a publi\u00e9 plus de cinquante \u0153uvres au cours de cette p\u00e9riode.\nBrahms a commenc\u00e9 sa troisi\u00e8me sonate pour violon en 1886. Il l'a achev\u00e9e en 1888 et l'a cr\u00e9\u00e9e \u00e0 Budapest avec le virtuose hongrois Jeno Hubay au violon et Brahms lui-m\u00eame au piano. Le premier mouvement reprend la forme traditionnelle de la sonate-allegro, avec une exposition, une section de d\u00e9veloppement et une r\u00e9capitulation. Deux sujets contrast\u00e9s sont li\u00e9s par des interludes de fragments m\u00e9lodiques et un jeu complexe entre les deux instruments. Le deuxi\u00e8me mouvement est une cavatine, un air m\u00e9lodieux simple pour le violon, accompagn\u00e9 par le piano.\u00a0 Le troisi\u00e8me mouvement commence avec le piano qui occupe le devant de la sc\u00e8ne avant que le violon n'entre en sc\u00e8ne pour reprendre le jeu complexe des deux instruments. Le dernier mouvement comporte une tarentelle vive et agit\u00e9e. Brahms est au sommet de son art et cr\u00e9e une musique d'une grande urgence, d'une grande force et d'une grande intensit\u00e9 \u00e9motionnelle.\n\n\u00a0\nJohannes Brahms (1833 - 1897)\nSonatensatz Scherzo en do mineur\nLa carri\u00e8re de Brahms en tant que musicien commence v\u00e9ritablement lorsque, \u00e0 l'\u00e2ge de dix-sept ans, il part en tourn\u00e9e pour accompagner le violoniste virtuose hongrois Ede Remenyi.\u00a0 Remenyi lui fait d\u00e9couvrir la musique de sa Hongrie natale, qui aura une grande influence sur Brahms en tant que compositeur. Remenyi lui pr\u00e9sente \u00e9galement un autre virtuose du violon, Joseph Joachim. Joachim, qui n'a que deux ans de plus que Brahms, est d\u00e9j\u00e0 un interpr\u00e8te de premier plan. Brahms l'admire non seulement comme un excellent violoniste, mais aussi comme un coll\u00e8gue compositeur. Peu apr\u00e8s leur rencontre, Brahms lui joua quelques-unes de ses propres compositions pour piano. Joachim d\u00e9clara quelques ann\u00e9es plus tard : \u00ab Jamais, au cours de ma vie d'artiste, je n'ai \u00e9t\u00e9 aussi compl\u00e8tement subjugu\u00e9 \u00bb.\u00a0 Les deux hommes sont devenus des amis de longue date. En fait, c'est par l'interm\u00e9diaire de Joachim que Brahms s'est associ\u00e9 \u00e0 Robert et Clara Schumann, qui allaient avoir une influence majeure sur sa vie.\nC'est en rendant visite aux Schumann \u00e0 D\u00fcsseldorf en 1853 que Brahms \u00e9crivit le Sonatensatz Scherzo.\u00a0 Robert Schumann avait eu l'id\u00e9e d'\u00e9crire une sonate pour violon et piano pour accueillir Joachim \u00e0 D\u00fcsseldorf. Il invita son \u00e9l\u00e8ve Albert Dietrich \u00e0 composer le mouvement d'ouverture, Brahms contribua au deuxi\u00e8me mouvement, le Scherzo, tandis que Schumann composa le troisi\u00e8me mouvement, l'Intermezzo, et le Finale.\u00a0 La contribution de Brahms t\u00e9moigne \u00e0 la fois de ses aspirations \u00e9lev\u00e9es et de la haute estime qu'il avait pour Joachim.\u00a0 Elle commence par une envol\u00e9e beethovanesque, se poursuit par un interlude lyrique et s'ach\u00e8ve sur un sentiment de grandeur.\u00a0 Le Scherzo a acquis un statut \u00e0 part et a \u00e9t\u00e9 l'une des premi\u00e8res \u0153uvres de Brahms \u00e0 \u00eatre publi\u00e9e.\n\n\u00a0\n~ENTRACTE~\n\n\u00a0\nFelix Mendelssohn (1809 - 1847)\n\nConcerto pour violon, piano et cordes en r\u00e9 mineur, MSV O 4 \n\ni. Allegro\nii. Adagio\niii. Allegro molto\nFelix Mendelssohn grandit \u00e0 Berlin, dans un milieu tr\u00e8s privil\u00e9gi\u00e9 et stimulant. Son p\u00e8re \u00e9tait un riche banquier et membre du conseil municipal. Leur maison \u00e9tait le lieu de rencontre de personnalit\u00e9s politiques, intellectuelles et artistiques de premier plan. Felix lui-m\u00eame \u00e9tait extraordinairement dou\u00e9. Le po\u00e8te et philosophe Goethe, qui avait entendu Mozart jouer lorsqu'il \u00e9tait enfant, trouvait Mendelssohn, \u00e2g\u00e9 de huit ans, plus impressionnant.\u00a0 Le jeune Felix avait une s\u0153ur a\u00een\u00e9e tout aussi dou\u00e9e, Fanny, qu'il adorait et dont il apprenait beaucoup.\u00a0 Leur m\u00e8re, Lea, organisait des salons musicaux dans la maison palatiale des Mendelssohn le dimanche matin, o\u00f9 Felix et Fanny se produisaient souvent.\u00a0 (Parfois, Lea engageait un orchestre pour jouer les derni\u00e8res compositions de ses enfants pr\u00e9coces. Fanny et Felix sont aussi prolifiques que pr\u00e9coces.\u00a0 Par exemple, entre douze et quatorze ans, Felix compose treize symphonies pour cordes, suivant les mod\u00e8les de Haydn, C. P. E. Bach et Mozart. Il a \u00e9galement produit un certain nombre de pi\u00e8ces de musique de chambre.\u00a0 Sa premi\u00e8re \u0153uvre publi\u00e9e, un quintette pour piano, para\u00eet en 1822, alors qu'il a treize ans.\nLe Concerto pour violon, piano et cordes en r\u00e9 mineur a \u00e9t\u00e9 cr\u00e9\u00e9 lors d'un des salons du dimanche matin en mai 1823. Mendelssohn, alors \u00e2g\u00e9 de quatorze ans, l'a \u00e9crit pour son professeur de violon, Eduard Rietz, qui participait fr\u00e9quemment \u00e0 ces salons.\u00a0 Elle fut jou\u00e9e deux fois ce printemps-l\u00e0, puis le manuscrit disparut. Mendelssohn n'a pas pris la peine de faire publier son \u0153uvre de jeunesse. La partition a \u00e9t\u00e9 d\u00e9couverte apr\u00e8s la Seconde Guerre mondiale \u00e0 la Biblioth\u00e8que nationale de Berlin. L'Allegro initial commence par une introduction classique des cordes avant que le piano puis le violon n'entrent dans un th\u00e8me plus lyrique. La gamme \u00e9motionnelle du mouvement s'\u00e9tend d'une tristesse lyrique \u00e0 une turbulence adolescente. Le deuxi\u00e8me mouvement Andante est la pi\u00e8ce ma\u00eetresse rayonnante du concerto, tandis que le Finale met un point final \u00e0 une \u0153uvre qui d\u00e9montre \u00e0 la fois le talent et l'enthousiasme de son cr\u00e9ateur \u00e2g\u00e9 de 14 ans.\n\nNotes de programme de Larry Bent\n\n\n\u00c0 propos des artistes\n\u00a0\n\n\u00c0 propos du Dior String Quartet\nR\u00e9uni depuis Isra\u00ebl, la Cor\u00e9e-Canada, Sainte-Lucie et les \u00c9tats-Unis, le Dior String Quartet est le quatuor en r\u00e9sidence \u00e0 la Glenn Gould School du Conservatoire royal de musique de Toronto.\u00a0\nLaur\u00e9ats du prix d'argent du concours de musique de chambre de Chesapeake 2021 et m\u00e9daill\u00e9s de bronze du concours national de musique de chambre Fischoff 2019, ils se sont form\u00e9s \u00e0 l'automne 2018 \u00e0 la Jacobs School of Music de l'Universit\u00e9 de l'Indiana sous la tutelle du Quatuor Pacifica. Ils ont \u00e9tudi\u00e9 avec des membres des quatuors Alban Berg, St. Lawrence, Danish, Artemis, \u00c9bene et Belcea.\u00a0\nLe Quatuor Dior a particip\u00e9 \u00e0 divers programmes, dont le Britten-Pears Young Artists Program, le Banff String Quartet : Evolution en collaboration avec le Tippet Rise Art Center, l'Acad\u00e9mie internationale du quatuor \u00e0 cordes de McGill \u00e0 Montr\u00e9al et le SLSQ Seminar. Le Quatuor Dior a collabor\u00e9 avec Orion Weiss et Victor Yampolsky lors de leur r\u00e9sidence au Wintegreen Music Festival, et avec le Rolston String Quartet, Axel Strauss et St\u00e9phane Lemelin lors du Prince Edward County Chamber Music Festival 2021.\nLe quatuor a fait ses d\u00e9buts avec la Schneider Concert Series en janvier 2021 et a \u00e9t\u00e9 quart de finaliste au Bartok World Competition \u00e0 Budapest en 2021.\nLe r\u00e9pertoire et les projets qu'ils poursuivent sont \u00e0 la crois\u00e9e de leurs origines multiculturelles et de leurs valeurs morales, car ils cherchent \u00e0 explorer l'exp\u00e9rience des immigrants par le biais de l'art. Le quatuor tire son nom du mot fran\u00e7ais \u00ab D'or \u00bb, qui signifie \u00ab or \u00bb. C'est un \u00e9l\u00e9ment rare, \u00e9l\u00e9gant et mall\u00e9able, pr\u00e9cieux pour ceux qui le poss\u00e8dent et souvent offert \u00e0 leurs proches. Plus important encore, l'or conserve la m\u00e9moire de la terre et absorbe les histoires des personnes qui lui donnent forme.\u00a0\u00a0\n\n\u00a0\nNoa Sarid, violon\nNoa Sarid est une violoniste et chambriste isra\u00e9lienne. Elle est le premier violon et membre fondateur du Dior Quartet, laur\u00e9ate du concours Elmaleh de la Concert Artist Guild en 2023, laur\u00e9ate du prix d'argent du Chesapeake Chamber Music Competition (2021) et m\u00e9daill\u00e9e de bronze du 46e concours national de chambre Fischoff (2019). Encadr\u00e9 par le Quatuor Pacifica, le Quatuor Dior a \u00e9galement \u00e9tudi\u00e9 avec des membres des quatuors Alban Berg, St. Lawrence, Danish, Artemis, \u00c9b\u00e8ne et Belcea. Elle est titulaire d'une bourse Rebanks pour l'ann\u00e9e 2023 au Conservatoire royal de musique.\u00a0\nNoa est laur\u00e9ate de plusieurs bourses et prix, notamment de la Ronen Foundation et de la America-Israel Cultural Foundation (2004-2019), ainsi que du concours de l'ONU (deuxi\u00e8me prix, 2013). En tant que soliste, Noa a effectu\u00e9 des tourn\u00e9es en Isra\u00ebl et en Europe avec la Symphonette Ra'anana et l'Orchestre symphonique Thelma Yellin. Noa a particip\u00e9 au festival et \u00e0 l'\u00e9cole de musique d'Aspen en tant que b\u00e9n\u00e9ficiaire d'une bourse compl\u00e8te. En tant que musicienne de chambre, Noa est une artiste de Naxos Records (2020) et quatre fois laur\u00e9ate du concours de chambre de l'Acad\u00e9mie de musique de J\u00e9rusalem (2015-2018).\nNoa s'est engag\u00e9e \u00e0 d\u00e9fendre la justice sociale par le biais de la musique. Elle a particip\u00e9 au festival international de musique de chambre Musethica en 2017, se produisant dans des h\u00f4pitaux, des refuges pour les survivants de la violence domestique, des prisons et des \u00e9coles pour enfants ayant des besoins sp\u00e9ciaux.\u00a0\nNoa est titulaire d'un master en interpr\u00e9tation du violon de l'\u00e9cole de musique Jacobs de l'Universit\u00e9 de l'Indiana et d'une licence de l'Acad\u00e9mie de musique et de danse de J\u00e9rusalem. Ses mentors au violon sont Simin Ganatra, Roi Shiloah et Nava Milo. Avec le Dior Quartet, Noa rejoindra la Glenn Gould School du Royal Conservatory de Toronto en tant que nouveau quatuor \u00e0 cordes en r\u00e9sidence pour l'ann\u00e9e acad\u00e9mique 2021-2022.\u00a0\nNoa enseigne le violon \u00e0 la Lane School of Music et encadre avec passion les \u00e9tudiants en violon du programme Oscar Peterson au Conservatoire royal de musique de Toronto.\n\n\u00a0\nTobias Elser, violon\u00a0\nTobias Elser a commenc\u00e9 \u00e0 \u00e9tudier le violon \u00e0 l'\u00e2ge de 5 ans dans sa ville natale d'Ithaca, dans l'\u00c9tat de New York. Il a ensuite \u00e9tudi\u00e9 avec Marilyn McDonald au conservatoire d'Oberlin pour obtenir sa licence. C'est alors qu'il \u00e9tait premier violon de l'Oberlin Chamber Orchestra qu'il s'est rendu compte qu'il avait une affinit\u00e9 pour la collaboration avec les orchestres de chambre et, depuis lors, il se consacre \u00e0 l'art de la musique de chambre. Pendant ses \u00e9tudes \u00e0 Oberlin, il a \u00e9galement d\u00e9couvert l'\u00e9motion unique que peut procurer la musique contemporaine apr\u00e8s avoir beaucoup travaill\u00e9 avec Timothy Weiss. Apr\u00e8s avoir obtenu son dipl\u00f4me \u00e0 Oberlin, Elser a aliment\u00e9 cette nouvelle passion en jouant dans des ensembles de musique de chambre modernes r\u00e9put\u00e9s tels que l'International Contemporary Ensemble et le Slee Sinfonietta. Avant de rejoindre le Quatuor Dior, Elser a particip\u00e9 \u00e0 de nombreux festivals de musique de chambre tels que le Bowdoin International Music Festival et le Madeline Island Chamber Music Festival, entre autres.\nElser a ensuite obtenu sa ma\u00eetrise de musique \u00e0 l'Universit\u00e9 d'Indiana, sous la direction de Kevork Mardirossian. C'est au cours de sa premi\u00e8re ann\u00e9e \u00e0 l'Indiana qu'Elser et ses camarades de classe ont form\u00e9 le Dior Quartet. Au cours de leurs \u00e9tudes, le quatuor a re\u00e7u de nombreuses r\u00e9compenses de la Jacobs School of Music, notamment la bourse Kuttner Quartet, la bourse Chamber Music Fellowship, ainsi que le premier prix du concours annuel Beethoven Haus Quartet Competition. Apr\u00e8s avoir obtenu sa ma\u00eetrise en interpr\u00e9tation du violon, Elser a re\u00e7u un dipl\u00f4me d'interpr\u00e8te en musique de chambre, \u00e9galement de l'Indiana.\nDepuis l'automne 2021, le Dior Quartet occupe le poste de quatuor en r\u00e9sidence \u00e0 la Glenn Gould School du Royal Conservatory of Music de Toronto. Elser joue sur un violon fabriqu\u00e9 par Jesse Maschmeyer en 2010. Lorsqu'il ne r\u00e9p\u00e8te pas avec son quatuor ou ne donne pas de cours de violon, il aime improviser au piano et faire des randonn\u00e9es.\n\n\u00a0\nCaleb Georges, alto\u00a0\nL'altiste Caleb Georges est originaire de l'\u00eele de Sainte-Lucie. \u00c9lev\u00e9 dans la petite ville de Babonneau, il a commenc\u00e9 son parcours musical \u00e0 l'\u00e2ge de 7 ans en jouant du piano \u00e0 l'\u00e9cole de musique de Sainte-Lucie. Ce n'est qu'\u00e0 l'\u00e2ge de 13 ans qu'il commence \u00e0 jouer de l'alto. Quelques ann\u00e9es plus tard, il quitte son \u00eele natale pour poursuivre ses \u00e9tudes musicales aux \u00c9tats-Unis.\nAu cours de ses \u00e9tudes universitaires, Caleb a obtenu une certaine reconnaissance lors de concours de solistes et de musique de chambre. En 2015, il a remport\u00e9 le premier prix du concours de musique de chambre Douglas Wayland avec son groupe, Max Trio. Il a \u00e9galement remport\u00e9 le premier prix au concours de musique de chambre Dale &amp;amp; Nancy Briggs 2018 ainsi qu'au concours des jeunes musiciens de chambre WDAV 2019 avec son ancien groupe, le Ivalas Quartet. Plus tard dans l'ann\u00e9e, il a \u00e9t\u00e9 pr\u00e9sent\u00e9 en direct sur la cha\u00eene Violin Channel ainsi que sur la t\u00e9l\u00e9vision publique de D\u00e9troit lorsqu'il a remport\u00e9 le troisi\u00e8me prix du concours Sphinx 2019 (division senior), en jouant en solo et en partageant la sc\u00e8ne avec l'orchestre symphonique Sphinx dans l'Orchestra Hall de D\u00e9troit.\nChambriste passionn\u00e9, Caleb s'est produit et a collabor\u00e9 avec un certain nombre d'ensembles \u00e0 travers l'Am\u00e9rique du Nord. Il a rejoint l'ensemble de chambre \u00e0 cordes sans chef d'orchestre Sphinx Virtuosi, compos\u00e9 de Noirs et de Latinx, qui a effectu\u00e9 une tourn\u00e9e \u00e0 travers les \u00c9tats-Unis et s'est produit sur des sc\u00e8nes historiques telles que le Carnegie Hall et la Biblioth\u00e8que du Congr\u00e8s. Caleb a \u00e9galement travaill\u00e9 et jou\u00e9 avec des artistes tels que le Calidore String Quartet, Danielle Belen, David Ying, Axel Strauss, St\u00e9phane Lemelin et Patricia Terry-Ross.\nCaleb est titulaire d'un BM en interpr\u00e9tation de l'alto de la Bowling Green State University, sous la direction de Matthew Daline. B\u00e9n\u00e9ficiaire de la bourse Sphinx, il a obtenu sa ma\u00eetrise \u00e0 l'Universit\u00e9 du Michigan, o\u00f9 il a \u00e9tudi\u00e9 l'interpr\u00e9tation de l'alto et la musique de chambre sous la direction de Caroline Coade. Depuis qu'il a rejoint le Dior String Quartet, Caleb a b\u00e9n\u00e9fici\u00e9 d'une bourse pour quatuor \u00e0 cordes \u00e0 l'Universit\u00e9 de l'Indiana, o\u00f9 il a \u00e9tudi\u00e9 avec Mark Holloway et le Quatuor Pacifica, laur\u00e9at de nombreux prix. Il est actuellement en r\u00e9sidence avec le Dior String Quartet \u00e0 la Glenn Gould School du Royal Conservatory.\n\n\u00a0\nJoanne Yesol Choi, violoncelle\u00a0\nLa violoncelliste canadienne d'origine cor\u00e9enne Joanne Yesol Choi est une chambriste passionn\u00e9e, une enseignante et un membre fondateur du Quatuor Dior. L'ensemble est le quatuor en r\u00e9sidence \u00e0 la Glenn Gould School du Royal Conservatory of Music. Il a \u00e9t\u00e9 laur\u00e9at des concours de musique de chambre Fischoff, Chesapeake et Plowman, et a particip\u00e9 aux concours internationaux de quatuor \u00e0 cordes de Banff et de Bartok.\u00a0\nJoanne s'est produite sur des sc\u00e8nes d'Am\u00e9rique du Nord, du Royaume-Uni et d'Allemagne, notamment dans le cadre de la Banff Chamber Music Residency, du Robert Mann String Quartet Seminar \u00e0 la MSM, du Ashkenazi\/Kirshbaum Chamber Music Seminar \u00e0 l'Institut Heifetz, du SLSQ Seminar \u00e0 l'Universit\u00e9 de Stanford, du Toronto Summer Music Festival, de la McGill International String Quartet Academy, de la Beethoven Haus Residency \u00e0 Bonn et du Britten-Pears Program \u00e0 Snape Maltings, o\u00f9 elle a b\u00e9n\u00e9fici\u00e9 d'une bourse d'\u00e9tudes compl\u00e8te. Le Quatuor Dior a fait ses d\u00e9buts dans le cadre de la s\u00e9rie de concerts Schneider en janvier 2021.\nEn tant qu'enseignante, Joanne est actuellement coach et enseigne aux \u00e9l\u00e8ves de la Phil and Eli Taylor Academy, o\u00f9 elle a \u00e9t\u00e9 boursi\u00e8re pendant 6 ans dans sa jeunesse. Elle est \u00e9galement instructrice \u00e0 l'Oscar Peterson School of Music, un autre \u00e9tablissement du Conservatoire royal de musique. Elle a \u00e9t\u00e9 l'une des membres du jury des Don Banks Music Awards de 2023.\u00a0\nAyant grandi \u00e0 Toronto, Joanne a \u00e9t\u00e9 membre du Toronto Symphony Youth Orchestra et a effectu\u00e9 une tourn\u00e9e au Canada en tant qu'une des quatre violoncellistes principales tournantes de l'Orchestre national des jeunes du Canada en 2014 et a \u00e9t\u00e9 s\u00e9lectionn\u00e9e comme soliste pour The Afar de Jordan Pal. Elle a \u00e9galement fr\u00e9quent\u00e9 l'\u00e9cole de musique de Meadowmount et le festival de musique d'Aspen.\u00a0\nElle a particip\u00e9 \u00e0 des ateliers de ma\u00eetre pour Mischa Maisky, Alisa Weilerstein, Colin Carr, Andres Diaz, Joseph Johnson, David Geber, Dennis Brott et Johanne Perron. Elle a collabor\u00e9 avec Orion Weiss, Phillip Setzer, Andrew Wan, Art of Time Ensemble, Owen Dalby, Axel Strauss, Stephen Lemelin, Douglas McNabney et Eric Silberger dans le cadre de concerts de musique de chambre.\u00a0\nJoanne figure sur la liste des 30 musiciens canadiens de moins de 30 ans de la CBC pour 2023. Elle a obtenu son baccalaur\u00e9at et sa ma\u00eetrise \u00e0 l'\u00e9cole de musique Jacobs de l'Universit\u00e9 de l'Indiana, o\u00f9 elle a \u00e9tudi\u00e9 avec Eric Kim, Brandon Vamos et le Quatuor Pacifica. Joanne est retourn\u00e9e poursuivre ses \u00e9tudes en tant que boursi\u00e8re du Rebanks Family Fellowship and International Performance Residency Program \u00e0 l'automne 2021.\n\n\u00a0\nAndrew Wan, violon\nAndrew Wan a \u00e9t\u00e9 nomm\u00e9 violon solo de l'Orchestre symphonique de Montr\u00e9al (OSM) en 2008. En tant que soliste, il s'est produit dans le monde entier sous la direction de chefs d'orchestre tels que Rafael Payare, Maxim Vengerov, Vasily Petrenko, Bernard Labadie, Carlo Rizzi, Peter Oundjian, Xian Zhang, Michael Stern et James DePreist, et a donn\u00e9 des r\u00e9citals avec des artistes tels que le Quatuor Juilliard, Vadim Repin, Marc-Andr\u00e9 Hamelin, Daniil Trifonov, Menahem Pressler, J\u00f6rg Widmann, Emanuel Ax, James Ehnes et Gil Shaham. Sa discographie comprend des enregistrements nomin\u00e9s aux Grammy Awards et r\u00e9compens\u00e9s par des prix Juno, Felix et Opus sur les labels Onyx, Bridge et Naxos avec la Seattle Chamber Music Society, le Metropolis Ensemble de New York et le New Orford String Quartet. \u00c0 l'automne 2015, il a publi\u00e9 un enregistrement en direct des trois concertos pour violon de Saint-Sa\u00ebns avec l'OSM et Kent Nagano sous l'\u00e9tiquette Analekta, qui a \u00e9t\u00e9 largement salu\u00e9 par la critique. Son r\u00e9cent album live d'\u0153uvres pour violon et orchestre de Bernstein, Moussa et Ginastera avec Nagano et l'OSM a remport\u00e9 un prix Juno 2021 pour l'album classique de l'ann\u00e9e - grand ensemble.\u00a0 Il entretient une \u00e9troite collaboration avec Charles Richard-Hamelin, avec qui il a enregistr\u00e9 le cycle complet des sonates pour piano et violon de Beethoven. M. Wan est titulaire d'un baccalaur\u00e9at en musique, d'une ma\u00eetrise en musique et d'un dipl\u00f4me d'artiste de la Juilliard School. Il est actuellement directeur artistique du Prince Edward County Chamber Music Festival et, pour la saison 2017-18, il \u00e9tait partenaire artistique de l'Orchestre symphonique d'Edmonton. Professeur associ\u00e9 de violon \u00e0 l'\u00c9cole de musique Schulich de l'Universit\u00e9 McGill, il a \u00e9t\u00e9 laur\u00e9at du Part-Time Teaching Award de l'\u00c9cole Schulich en 2019.Il a si\u00e9g\u00e9 en tant que violon solo invit\u00e9 pour les orchestres symphoniques de Pittsburgh, Houston, Indianapolis, du Centre national des arts, de Toronto et de Vancouver. Andrew Wan est le musicien en r\u00e9sidence des Cecilia Concerts pour 2024\/25.\u00a0\nIl joue sur un violon Michel'Angelo Bergonzi de 1744, qu'il remercie pour son pr\u00eat de la collection David Sela.\u00a0 Il utilise \u00e9galement un archet Dominique Peccatte de 1860 provenant de Canimex.\n\n\u00a0\nCharles Richard-Hamelin, piano\nLaur\u00e9at de la m\u00e9daille d\u2019argent et du prix Krystian Zimerman lors du Concours international de piano Fr\u00e9d\u00e9ric-Chopin \u00e0 Varsovie en 2015, le pianiste Charles Richard-Hamelin se d\u00e9marque aujourd\u2019hui comme l\u2019un des plus importants de sa g\u00e9n\u00e9ration.\u00a0R\u00e9cipiendaire de l\u2019Ordre des arts et des lettres du Qu\u00e9bec et du prestigieux\u00a0Career Development Award\u00a0offert par le Women\u2019s Musical Club of Toronto, il recevait\u00a0en novembre 2022\u00a0le prix Denise-Pelletier,\u00a0la plus haute distinction d\u00e9cern\u00e9e par le gouvernement du Qu\u00e9bec en arts de la sc\u00e8ne, devenant ainsi le plus jeune laur\u00e9at de l\u2019histoire des Prix du Qu\u00e9bec.\nIl a \u00e9t\u00e9 l\u2019invit\u00e9 de plusieurs grands festivals tels\u00a0La Roque d\u2019Anth\u00e9ron\u00a0et\u00a0le\u00a0Festival Nohant\u00a0en France, le Festival du\u00a0Printemps de Prague, le Festival\u00a0Chopin et son Europe\u00a0\u00e0 Varsovie, le Festival de Lanaudi\u00e8re et le Festival George Enescu \u00e0 Bucarest. En tant que soliste, il a pu se faire entendre avec plusieurs ensembles dont les principaux orchestres symphoniques canadiens (Montr\u00e9al, Toronto, Ottawa, M\u00e9tropolitain, Qu\u00e9bec, Edmonton, Calgary, etc.) ainsi qu\u2019avec l\u2019Orchestre Philharmonique de Varsovie, Sinfonia Varsovia, le Tokyo Metropolitan Symphony Orchestra, l\u2019Orchestre symphonique de Singapour, le Korean Symphony Orchestra, l\u2019OFUNAM (Mexique), les Violons du Roy et I Musici de Montr\u00e9al. Il a collabor\u00e9 avec des chefs de grande renomm\u00e9e comme Kent Nagano, Rafael Payare, Bernard Labadie, Antoni Wit, Vasily Petrenko, Jacek Kaspszyk, Aziz Shokhakimov, Peter Oundjian, Jacques Lacombe, Fabien Gabel, Carlo Rizzi, John Storg\u00e5rds, Alexander Prior, Giancarlo Guerrero, Christoph Campestrini, Lan Shui, Otto Tausk, Jean-Marie Zeitouni, Kazuki Yamada, Yannick N\u00e9zet-S\u00e9guin et Jonathan Cohen. Charles Richard-Hamelin est \u00e9galement actif comme chambriste. \u00c0 ce titre, il s\u2019est produit en concert avec, entre autres, Andrew Wan, James Ehnes, Marie-Nicole Lemieux, Marc-Andr\u00e9 Hamelin, le Quatuor Dover, le Nouveau Quatuor Orford, le Quatuor Apollon Musag\u00e8te et le Quatuor Meccore. Dipl\u00f4m\u00e9 de l\u2019Universit\u00e9 McGill, de la Yale School of Music et du Conservatoire de musique de Montr\u00e9al, il a \u00e9tudi\u00e9 aupr\u00e8s de Paul Surdulescu, Sara Laimon, Boris Berman, Andr\u00e9 Laplante et Jean Saulnier.\u00a0\nOn doit \u00e0 Charles Richard-Hamelin onze albums, tous parus sous \u00e9tiquette Analekta (Outhere Music). Quatre de ceux-ci sont consacr\u00e9s principalement aux \u0153uvres pour piano seul de Fr\u00e9d\u00e9ric Chopin; on retrouve \u00e9galement quatre enregistrements\u00a0avec Andrew Wan, violon solo \u00e0 l\u2019OSM. Charles Richard-Hamelin a aussi enregistr\u00e9 des \u0153uvres concertantes : les deux concertos pour piano de Chopin, avec l\u2019Orchestre symphonique de Montr\u00e9al, sous la direction de Kent Nagano, et les Concertos pour piano nos 22 et 24 de Mozart, avec les Violons du Roy, sous la direction de Jonathan Cohen. Six prix F\u00e9lix (ADISQ) et un JUNO (2022) ont salu\u00e9 la qualit\u00e9 de ces albums, qui ont re\u00e7u l\u2019accueil enthousiaste des critiques musicaux \u00e0 travers le monde.","image":"https:\/\/www.ceciliaconcerts.ca\/wp-content\/uploads\/2025\/01\/Cecilia-Concerts-Classical-Music-Halifax-Nova-Scotia-Main-Stage-Concerts-Dior-Quartet.jpg","sku":33791,"offers":[{"@type":"Offer","priceSpecification":[{"@type":"UnitPriceSpecification","price":"0.00","priceCurrency":"CAD","valueAddedTaxIncluded":false,"validThrough":"2026-12-31"}],"priceValidUntil":"2026-12-31","availability":"http:\/\/schema.org\/OutOfStock","url":"https:\/\/www.ceciliaconcerts.ca\/concert\/violinist-andrew-wan-and-pianist-charles-richard-hamelin-with-the-dior-quartet\/","seller":{"@type":"Organization","name":"Cecilia Concerts | Halifax, Nova Scotia","url":"https:\/\/www.ceciliaconcerts.ca"}}]}</script><style media="all" id="siteorigin-panels-layouts-footer">/* Layout 33791 */ #pgc-33791-0-0 { 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Kubango\",\"CNO\":\"Kwanza-Norte\",\"CUS\":\"Kwanza-Sul\",\"LUA\":\"Luanda\",\"LNO\":\"Lunda-Norte\",\"LSU\":\"Lunda-Sul\",\"MAL\":\"Malanje\",\"MOX\":\"Moxico\",\"NAM\":\"Namibe\",\"UIG\":\"U\\u00edge\",\"ZAI\":\"Zaire\"},\"AR\":{\"C\":\"Ciudad Aut\\u00f3noma de Buenos Aires\",\"B\":\"Buenos Aires\",\"K\":\"Catamarca\",\"H\":\"Chaco\",\"U\":\"Chubut\",\"X\":\"C\\u00f3rdoba\",\"W\":\"Corrientes\",\"E\":\"Entre R\\u00edos\",\"P\":\"Formosa\",\"Y\":\"Jujuy\",\"L\":\"La Pampa\",\"F\":\"La Rioja\",\"M\":\"Mendoza\",\"N\":\"Misiones\",\"Q\":\"Neuqu\\u00e9n\",\"R\":\"R\\u00edo Negro\",\"A\":\"Salta\",\"J\":\"San Juan\",\"D\":\"San Luis\",\"Z\":\"Santa Cruz\",\"S\":\"Santa Fe\",\"G\":\"Santiago del Estero\",\"V\":\"Tierra del Fuego\",\"T\":\"Tucum\\u00e1n\"},\"AU\":{\"ACT\":\"Australian Capital Territory\",\"NSW\":\"New South Wales\",\"NT\":\"Northern Territory\",\"QLD\":\"Queensland\",\"SA\":\"South Australia\",\"TAS\":\"Tasmania\",\"VIC\":\"Victoria\",\"WA\":\"Western Australia\"},\"AT\":[],\"BH\":[],\"BD\":{\"BD-05\":\"Bagerhat\",\"BD-01\":\"Bandarban\",\"BD-02\":\"Barguna\",\"BD-06\":\"Barishal\",\"BD-07\":\"Bhola\",\"BD-03\":\"Bogura\",\"BD-04\":\"Brahmanbaria\",\"BD-09\":\"Chandpur\",\"BD-10\":\"Chattogram\",\"BD-12\":\"Chuadanga\",\"BD-11\":\"Cox's Bazar\",\"BD-08\":\"Cumilla\",\"BD-13\":\"Dhaka\",\"BD-14\":\"Dinajpur\",\"BD-15\":\"Faridpur \",\"BD-16\":\"Feni\",\"BD-19\":\"Gaibandha\",\"BD-18\":\"Gazipur\",\"BD-17\":\"Gopalganj\",\"BD-20\":\"Habiganj\",\"BD-21\":\"Jamalpur\",\"BD-22\":\"Jashore\",\"BD-25\":\"Jhalokati\",\"BD-23\":\"Jhenaidah\",\"BD-24\":\"Joypurhat\",\"BD-29\":\"Khagrachhari\",\"BD-27\":\"Khulna\",\"BD-26\":\"Kishoreganj\",\"BD-28\":\"Kurigram\",\"BD-30\":\"Kushtia\",\"BD-31\":\"Lakshmipur\",\"BD-32\":\"Lalmonirhat\",\"BD-36\":\"Madaripur\",\"BD-37\":\"Magura\",\"BD-33\":\"Manikganj \",\"BD-39\":\"Meherpur\",\"BD-38\":\"Moulvibazar\",\"BD-35\":\"Munshiganj\",\"BD-34\":\"Mymensingh\",\"BD-48\":\"Naogaon\",\"BD-43\":\"Narail\",\"BD-40\":\"Narayanganj\",\"BD-42\":\"Narsingdi\",\"BD-44\":\"Natore\",\"BD-45\":\"Nawabganj\",\"BD-41\":\"Netrakona\",\"BD-46\":\"Nilphamari\",\"BD-47\":\"Noakhali\",\"BD-49\":\"Pabna\",\"BD-52\":\"Panchagarh\",\"BD-51\":\"Patuakhali\",\"BD-50\":\"Pirojpur\",\"BD-53\":\"Rajbari\",\"BD-54\":\"Rajshahi\",\"BD-56\":\"Rangamati\",\"BD-55\":\"Rangpur\",\"BD-58\":\"Satkhira\",\"BD-62\":\"Shariatpur\",\"BD-57\":\"Sherpur\",\"BD-59\":\"Sirajganj\",\"BD-61\":\"Sunamganj\",\"BD-60\":\"Sylhet\",\"BD-63\":\"Tangail\",\"BD-64\":\"Thakurgaon\"},\"BE\":[],\"BJ\":{\"AL\":\"Alibori\",\"AK\":\"Atakora\",\"AQ\":\"Atlantique\",\"BO\":\"Borgou\",\"CO\":\"Collines\",\"KO\":\"Kouffo\",\"DO\":\"Donga\",\"LI\":\"Littoral\",\"MO\":\"Mono\",\"OU\":\"Ou\\u00e9m\\u00e9\",\"PL\":\"Plateau\",\"ZO\":\"Zou\"},\"BO\":{\"BO-B\":\"Beni\",\"BO-H\":\"Chuquisaca\",\"BO-C\":\"Cochabamba\",\"BO-L\":\"La Paz\",\"BO-O\":\"Oruro\",\"BO-N\":\"Pando\",\"BO-P\":\"Potos\\u00ed\",\"BO-S\":\"Santa Cruz\",\"BO-T\":\"Tarija\"},\"BR\":{\"AC\":\"Acre\",\"AL\":\"Alagoas\",\"AP\":\"Amap\\u00e1\",\"AM\":\"Amazonas\",\"BA\":\"Bahia\",\"CE\":\"Cear\\u00e1\",\"DF\":\"Distrito Federal\",\"ES\":\"Esp\\u00edrito Santo\",\"GO\":\"Goi\\u00e1s\",\"MA\":\"Maranh\\u00e3o\",\"MT\":\"Mato Grosso\",\"MS\":\"Mato Grosso do Sul\",\"MG\":\"Minas Gerais\",\"PA\":\"Par\\u00e1\",\"PB\":\"Para\\u00edba\",\"PR\":\"Paran\\u00e1\",\"PE\":\"Pernambuco\",\"PI\":\"Piau\\u00ed\",\"RJ\":\"Rio de Janeiro\",\"RN\":\"Rio Grande do Norte\",\"RS\":\"Rio Grande do Sul\",\"RO\":\"Rond\\u00f4nia\",\"RR\":\"Roraima\",\"SC\":\"Santa Catarina\",\"SP\":\"S\\u00e3o Paulo\",\"SE\":\"Sergipe\",\"TO\":\"Tocantins\"},\"BG\":{\"BG-01\":\"Blagoevgrad\",\"BG-02\":\"Burgas\",\"BG-08\":\"Dobrich\",\"BG-07\":\"Gabrovo\",\"BG-26\":\"Haskovo\",\"BG-09\":\"Kardzhali\",\"BG-10\":\"Kyustendil\",\"BG-11\":\"Lovech\",\"BG-12\":\"Montana\",\"BG-13\":\"Pazardzhik\",\"BG-14\":\"Pernik\",\"BG-15\":\"Pleven\",\"BG-16\":\"Plovdiv\",\"BG-17\":\"Razgrad\",\"BG-18\":\"Ruse\",\"BG-27\":\"Shumen\",\"BG-19\":\"Silistra\",\"BG-20\":\"Sliven\",\"BG-21\":\"Smolyan\",\"BG-23\":\"Sofia District\",\"BG-22\":\"Sofia\",\"BG-24\":\"Stara Zagora\",\"BG-25\":\"Targovishte\",\"BG-03\":\"Varna\",\"BG-04\":\"Veliko Tarnovo\",\"BG-05\":\"Vidin\",\"BG-06\":\"Vratsa\",\"BG-28\":\"Yambol\"},\"BI\":[],\"CA\":{\"AB\":\"Alberta\",\"BC\":\"British Columbia\",\"MB\":\"Manitoba\",\"NB\":\"New Brunswick\",\"NL\":\"Newfoundland and Labrador\",\"NT\":\"Northwest Territories\",\"NS\":\"Nova Scotia\",\"NU\":\"Nunavut\",\"ON\":\"Ontario\",\"PE\":\"Prince Edward Island\",\"QC\":\"Quebec\",\"SK\":\"Saskatchewan\",\"YT\":\"Yukon Territory\"},\"CL\":{\"CL-AI\":\"Ais\\u00e9n del General Carlos Iba\\u00f1ez del Campo\",\"CL-AN\":\"Antofagasta\",\"CL-AP\":\"Arica y Parinacota\",\"CL-AR\":\"La Araucan\\u00eda\",\"CL-AT\":\"Atacama\",\"CL-BI\":\"Biob\\u00edo\",\"CL-CO\":\"Coquimbo\",\"CL-LI\":\"Libertador General Bernardo O'Higgins\",\"CL-LL\":\"Los Lagos\",\"CL-LR\":\"Los R\\u00edos\",\"CL-MA\":\"Magallanes\",\"CL-ML\":\"Maule\",\"CL-NB\":\"\\u00d1uble\",\"CL-RM\":\"Regi\\u00f3n Metropolitana de Santiago\",\"CL-TA\":\"Tarapac\\u00e1\",\"CL-VS\":\"Valpara\\u00edso\"},\"CN\":{\"CN1\":\"Yunnan \\\/ \\u4e91\\u5357\",\"CN2\":\"Beijing \\\/ \\u5317\\u4eac\",\"CN3\":\"Tianjin \\\/ \\u5929\\u6d25\",\"CN4\":\"Hebei \\\/ \\u6cb3\\u5317\",\"CN5\":\"Shanxi \\\/ \\u5c71\\u897f\",\"CN6\":\"Inner Mongolia \\\/ \\u5167\\u8499\\u53e4\",\"CN7\":\"Liaoning \\\/ \\u8fbd\\u5b81\",\"CN8\":\"Jilin \\\/ \\u5409\\u6797\",\"CN9\":\"Heilongjiang \\\/ \\u9ed1\\u9f99\\u6c5f\",\"CN10\":\"Shanghai \\\/ \\u4e0a\\u6d77\",\"CN11\":\"Jiangsu \\\/ \\u6c5f\\u82cf\",\"CN12\":\"Zhejiang \\\/ \\u6d59\\u6c5f\",\"CN13\":\"Anhui \\\/ \\u5b89\\u5fbd\",\"CN14\":\"Fujian \\\/ \\u798f\\u5efa\",\"CN15\":\"Jiangxi \\\/ \\u6c5f\\u897f\",\"CN16\":\"Shandong \\\/ \\u5c71\\u4e1c\",\"CN17\":\"Henan \\\/ \\u6cb3\\u5357\",\"CN18\":\"Hubei \\\/ \\u6e56\\u5317\",\"CN19\":\"Hunan \\\/ \\u6e56\\u5357\",\"CN20\":\"Guangdong \\\/ \\u5e7f\\u4e1c\",\"CN21\":\"Guangxi Zhuang \\\/ \\u5e7f\\u897f\\u58ee\\u65cf\",\"CN22\":\"Hainan \\\/ \\u6d77\\u5357\",\"CN23\":\"Chongqing \\\/ \\u91cd\\u5e86\",\"CN24\":\"Sichuan \\\/ \\u56db\\u5ddd\",\"CN25\":\"Guizhou \\\/ \\u8d35\\u5dde\",\"CN26\":\"Shaanxi \\\/ \\u9655\\u897f\",\"CN27\":\"Gansu \\\/ \\u7518\\u8083\",\"CN28\":\"Qinghai \\\/ \\u9752\\u6d77\",\"CN29\":\"Ningxia Hui \\\/ \\u5b81\\u590f\",\"CN30\":\"Macao \\\/ \\u6fb3\\u95e8\",\"CN31\":\"Tibet \\\/ \\u897f\\u85cf\",\"CN32\":\"Xinjiang \\\/ \\u65b0\\u7586\"},\"CO\":{\"CO-AMA\":\"Amazonas\",\"CO-ANT\":\"Antioquia\",\"CO-ARA\":\"Arauca\",\"CO-ATL\":\"Atl\\u00e1ntico\",\"CO-BOL\":\"Bol\\u00edvar\",\"CO-BOY\":\"Boyac\\u00e1\",\"CO-CAL\":\"Caldas\",\"CO-CAQ\":\"Caquet\\u00e1\",\"CO-CAS\":\"Casanare\",\"CO-CAU\":\"Cauca\",\"CO-CES\":\"Cesar\",\"CO-CHO\":\"Choc\\u00f3\",\"CO-COR\":\"C\\u00f3rdoba\",\"CO-CUN\":\"Cundinamarca\",\"CO-DC\":\"Capital District\",\"CO-GUA\":\"Guain\\u00eda\",\"CO-GUV\":\"Guaviare\",\"CO-HUI\":\"Huila\",\"CO-LAG\":\"La Guajira\",\"CO-MAG\":\"Magdalena\",\"CO-MET\":\"Meta\",\"CO-NAR\":\"Nari\\u00f1o\",\"CO-NSA\":\"Norte de Santander\",\"CO-PUT\":\"Putumayo\",\"CO-QUI\":\"Quind\\u00edo\",\"CO-RIS\":\"Risaralda\",\"CO-SAN\":\"Santander\",\"CO-SAP\":\"San Andr\\u00e9s & Providencia\",\"CO-SUC\":\"Sucre\",\"CO-TOL\":\"Tolima\",\"CO-VAC\":\"Valle del Cauca\",\"CO-VAU\":\"Vaup\\u00e9s\",\"CO-VID\":\"Vichada\"},\"CR\":{\"CR-A\":\"Alajuela\",\"CR-C\":\"Cartago\",\"CR-G\":\"Guanacaste\",\"CR-H\":\"Heredia\",\"CR-L\":\"Lim\\u00f3n\",\"CR-P\":\"Puntarenas\",\"CR-SJ\":\"San Jos\\u00e9\"},\"HR\":{\"HR-01\":\"Zagreb County\",\"HR-02\":\"Krapina-Zagorje County\",\"HR-03\":\"Sisak-Moslavina County\",\"HR-04\":\"Karlovac County\",\"HR-05\":\"Vara\\u017edin County\",\"HR-06\":\"Koprivnica-Kri\\u017eevci County\",\"HR-07\":\"Bjelovar-Bilogora County\",\"HR-08\":\"Primorje-Gorski Kotar County\",\"HR-09\":\"Lika-Senj County\",\"HR-10\":\"Virovitica-Podravina County\",\"HR-11\":\"Po\\u017eega-Slavonia County\",\"HR-12\":\"Brod-Posavina County\",\"HR-13\":\"Zadar County\",\"HR-14\":\"Osijek-Baranja County\",\"HR-15\":\"\\u0160ibenik-Knin County\",\"HR-16\":\"Vukovar-Srijem County\",\"HR-17\":\"Split-Dalmatia County\",\"HR-18\":\"Istria County\",\"HR-19\":\"Dubrovnik-Neretva County\",\"HR-20\":\"Me\\u0111imurje County\",\"HR-21\":\"Zagreb City\"},\"CZ\":[],\"DK\":[],\"DO\":{\"DO-01\":\"Distrito Nacional\",\"DO-02\":\"Azua\",\"DO-03\":\"Baoruco\",\"DO-04\":\"Barahona\",\"DO-33\":\"Cibao Nordeste\",\"DO-34\":\"Cibao Noroeste\",\"DO-35\":\"Cibao Norte\",\"DO-36\":\"Cibao Sur\",\"DO-05\":\"Dajab\\u00f3n\",\"DO-06\":\"Duarte\",\"DO-08\":\"El Seibo\",\"DO-37\":\"El Valle\",\"DO-07\":\"El\\u00edas Pi\\u00f1a\",\"DO-38\":\"Enriquillo\",\"DO-09\":\"Espaillat\",\"DO-30\":\"Hato Mayor\",\"DO-19\":\"Hermanas Mirabal\",\"DO-39\":\"Hig\\u00fcamo\",\"DO-10\":\"Independencia\",\"DO-11\":\"La Altagracia\",\"DO-12\":\"La Romana\",\"DO-13\":\"La Vega\",\"DO-14\":\"Mar\\u00eda Trinidad S\\u00e1nchez\",\"DO-28\":\"Monse\\u00f1or Nouel\",\"DO-15\":\"Monte Cristi\",\"DO-29\":\"Monte Plata\",\"DO-40\":\"Ozama\",\"DO-16\":\"Pedernales\",\"DO-17\":\"Peravia\",\"DO-18\":\"Puerto Plata\",\"DO-20\":\"Saman\\u00e1\",\"DO-21\":\"San Crist\\u00f3bal\",\"DO-31\":\"San Jos\\u00e9 de Ocoa\",\"DO-22\":\"San Juan\",\"DO-23\":\"San Pedro de Macor\\u00eds\",\"DO-24\":\"S\\u00e1nchez Ram\\u00edrez\",\"DO-25\":\"Santiago\",\"DO-26\":\"Santiago Rodr\\u00edguez\",\"DO-32\":\"Santo Domingo\",\"DO-41\":\"Valdesia\",\"DO-27\":\"Valverde\",\"DO-42\":\"Yuma\"},\"EC\":{\"EC-A\":\"Azuay\",\"EC-B\":\"Bol\\u00edvar\",\"EC-F\":\"Ca\\u00f1ar\",\"EC-C\":\"Carchi\",\"EC-H\":\"Chimborazo\",\"EC-X\":\"Cotopaxi\",\"EC-O\":\"El Oro\",\"EC-E\":\"Esmeraldas\",\"EC-W\":\"Gal\\u00e1pagos\",\"EC-G\":\"Guayas\",\"EC-I\":\"Imbabura\",\"EC-L\":\"Loja\",\"EC-R\":\"Los R\\u00edos\",\"EC-M\":\"Manab\\u00ed\",\"EC-S\":\"Morona-Santiago\",\"EC-N\":\"Napo\",\"EC-D\":\"Orellana\",\"EC-Y\":\"Pastaza\",\"EC-P\":\"Pichincha\",\"EC-SE\":\"Santa Elena\",\"EC-SD\":\"Santo Domingo de los Ts\\u00e1chilas\",\"EC-U\":\"Sucumb\\u00edos\",\"EC-T\":\"Tungurahua\",\"EC-Z\":\"Zamora-Chinchipe\"},\"EG\":{\"EGALX\":\"Alexandria\",\"EGASN\":\"Aswan\",\"EGAST\":\"Asyut\",\"EGBA\":\"Red Sea\",\"EGBH\":\"Beheira\",\"EGBNS\":\"Beni Suef\",\"EGC\":\"Cairo\",\"EGDK\":\"Dakahlia\",\"EGDT\":\"Damietta\",\"EGFYM\":\"Faiyum\",\"EGGH\":\"Gharbia\",\"EGGZ\":\"Giza\",\"EGIS\":\"Ismailia\",\"EGJS\":\"South Sinai\",\"EGKB\":\"Qalyubia\",\"EGKFS\":\"Kafr el-Sheikh\",\"EGKN\":\"Qena\",\"EGLX\":\"Luxor\",\"EGMN\":\"Minya\",\"EGMNF\":\"Monufia\",\"EGMT\":\"Matrouh\",\"EGPTS\":\"Port Said\",\"EGSHG\":\"Sohag\",\"EGSHR\":\"Al Sharqia\",\"EGSIN\":\"North Sinai\",\"EGSUZ\":\"Suez\",\"EGWAD\":\"New Valley\"},\"SV\":{\"SV-AH\":\"Ahuachap\\u00e1n\",\"SV-CA\":\"Caba\\u00f1as\",\"SV-CH\":\"Chalatenango\",\"SV-CU\":\"Cuscatl\\u00e1n\",\"SV-LI\":\"La Libertad\",\"SV-MO\":\"Moraz\\u00e1n\",\"SV-PA\":\"La Paz\",\"SV-SA\":\"Santa Ana\",\"SV-SM\":\"San Miguel\",\"SV-SO\":\"Sonsonate\",\"SV-SS\":\"San Salvador\",\"SV-SV\":\"San Vicente\",\"SV-UN\":\"La Uni\\u00f3n\",\"SV-US\":\"Usulut\\u00e1n\"},\"EE\":[],\"ET\":[],\"FI\":[],\"FR\":[],\"GF\":[],\"DE\":{\"DE-BW\":\"Baden-W\\u00fcrttemberg\",\"DE-BY\":\"Bavaria\",\"DE-BE\":\"Berlin\",\"DE-BB\":\"Brandenburg\",\"DE-HB\":\"Bremen\",\"DE-HH\":\"Hamburg\",\"DE-HE\":\"Hesse\",\"DE-MV\":\"Mecklenburg-Vorpommern\",\"DE-NI\":\"Lower Saxony\",\"DE-NW\":\"North Rhine-Westphalia\",\"DE-RP\":\"Rhineland-Palatinate\",\"DE-SL\":\"Saarland\",\"DE-SN\":\"Saxony\",\"DE-ST\":\"Saxony-Anhalt\",\"DE-SH\":\"Schleswig-Holstein\",\"DE-TH\":\"Thuringia\"},\"GH\":{\"AF\":\"Ahafo\",\"AH\":\"Ashanti\",\"BA\":\"Brong-Ahafo\",\"BO\":\"Bono\",\"BE\":\"Bono East\",\"CP\":\"Central\",\"EP\":\"Eastern\",\"AA\":\"Greater Accra\",\"NE\":\"North East\",\"NP\":\"Northern\",\"OT\":\"Oti\",\"SV\":\"Savannah\",\"UE\":\"Upper East\",\"UW\":\"Upper West\",\"TV\":\"Volta\",\"WP\":\"Western\",\"WN\":\"Western North\"},\"GR\":{\"I\":\"Attica\",\"A\":\"East Macedonia and Thrace\",\"B\":\"Central Macedonia\",\"C\":\"West Macedonia\",\"D\":\"Epirus\",\"E\":\"Thessaly\",\"F\":\"Ionian Islands\",\"G\":\"West Greece\",\"H\":\"Central Greece\",\"J\":\"Peloponnese\",\"K\":\"North Aegean\",\"L\":\"South Aegean\",\"M\":\"Crete\"},\"GP\":[],\"GT\":{\"GT-AV\":\"Alta Verapaz\",\"GT-BV\":\"Baja Verapaz\",\"GT-CM\":\"Chimaltenango\",\"GT-CQ\":\"Chiquimula\",\"GT-PR\":\"El Progreso\",\"GT-ES\":\"Escuintla\",\"GT-GU\":\"Guatemala\",\"GT-HU\":\"Huehuetenango\",\"GT-IZ\":\"Izabal\",\"GT-JA\":\"Jalapa\",\"GT-JU\":\"Jutiapa\",\"GT-PE\":\"Pet\\u00e9n\",\"GT-QZ\":\"Quetzaltenango\",\"GT-QC\":\"Quich\\u00e9\",\"GT-RE\":\"Retalhuleu\",\"GT-SA\":\"Sacatep\\u00e9quez\",\"GT-SM\":\"San Marcos\",\"GT-SR\":\"Santa Rosa\",\"GT-SO\":\"Solol\\u00e1\",\"GT-SU\":\"Suchitep\\u00e9quez\",\"GT-TO\":\"Totonicap\\u00e1n\",\"GT-ZA\":\"Zacapa\"},\"HN\":{\"HN-AT\":\"Atl\\u00e1ntida\",\"HN-IB\":\"Bay Islands\",\"HN-CH\":\"Choluteca\",\"HN-CL\":\"Col\\u00f3n\",\"HN-CM\":\"Comayagua\",\"HN-CP\":\"Cop\\u00e1n\",\"HN-CR\":\"Cort\\u00e9s\",\"HN-EP\":\"El Para\\u00edso\",\"HN-FM\":\"Francisco Moraz\\u00e1n\",\"HN-GD\":\"Gracias a Dios\",\"HN-IN\":\"Intibuc\\u00e1\",\"HN-LE\":\"Lempira\",\"HN-LP\":\"La Paz\",\"HN-OC\":\"Ocotepeque\",\"HN-OL\":\"Olancho\",\"HN-SB\":\"Santa B\\u00e1rbara\",\"HN-VA\":\"Valle\",\"HN-YO\":\"Yoro\"},\"HK\":{\"HONG KONG\":\"Hong Kong Island\",\"KOWLOON\":\"Kowloon\",\"NEW TERRITORIES\":\"New 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